Houzz Tour: Parisian Modern Updates for a Toronto Coach House
Iconic furniture, creative groupings and bold colors turn a short-term Canadian rental into a knockout
Mary Jo Bowling
31 décembre 2013
Stephane Chamard knew that he and his husband would be living in this Toronto coach house only for a short time, but the urge to refresh it was irresistible for the architect–designer. “We rented this apartment after we sold the house we owned and while we looked for a new one. I knew that we wouldn’t be living here for long, but I also knew if I didn’t do something to it, it would drive me crazy,” he says. For Chamard, freshening up the dated two-room, two-level space was more fun than frustrating. As the couple prepares to move into a new home just four months after signing the lease, Chamard says he has no regrets. “It made me happy to fix up this place,” he says. “I complete remodels like some people complete jigsaw puzzles.”
Houzz at a Glance
Who lives here: Stephane Chamard and his husband, Philippe
Location: Toronto
Size: 1,291 square feet; 1 bedroom, 1 bathroom
Photography: Lisa Petrole
Houzz at a Glance
Who lives here: Stephane Chamard and his husband, Philippe
Location: Toronto
Size: 1,291 square feet; 1 bedroom, 1 bathroom
Photography: Lisa Petrole
“The history of the coach house is very interesting,” says Chamard. “It is tucked behind a larger house. The way I understand it, a dentist owned the property in the early 1920s. Apparently he really liked to party, but his wife did not. He remodeled the old coach house into a party space with some distance from the house.”
“When we moved in, all of the walls were painted a salmon color and the molding was a light beige. I had to refresh it,” he says. “I am from Paris, and it’s a very Parisian thing to enhance an old home by painting it all white and filling it with modern furniture.” The designer set the modernist stage in the home’s entry.
Art: Max Neumann
Art: Max Neumann
From the front door, you ascend a short flight of stairs to the main living space. Chamard used the landing at the top of the stairs to create another entry to it. “The house is essentially two large rooms. The bedroom is downstairs; everything else is on the second floor,” he says. “There’s also a tiny bathroom.”
Chamard defined the second entry with a piece of architectural salvage in the shape of a large star, a black rubberized light fixture and a bright orange console. “I moved to Toronto after I met my husband,” he says. “I found this console while walking down the street. You would not believe the things you can find on the street here! It’s one of the things I love about the city.” The modest piece became a showstopper with a coat of shiny lacquer.
“In Paris we decorate rooms the way a bride gets ready for her wedding,” Chamard says. “We use something old, something new, something borrowed, something blue.” If you define “borrowed” as something salvaged or vintage, Chamard is carrying on the French tradition in his living room. A vintage light fixture hangs above a pair of classic modernist chairs and a blue sofa. The fireplace surround was installed by the party-loving dentist.
Egg chairs: Arne Jacobsen; sofa: Ploum, Ligne Roset
Egg chairs: Arne Jacobsen; sofa: Ploum, Ligne Roset
Instead of a coffee table, Chamard has three poufs. “I am not a fan of coffee tables,” he says. “They are so stiff, and they don’t allow people to circulate around a room naturally. The poufs are so flexible; they can be used as party seating or an ottoman. Put a book on one, and you have a place to set your drink.”
Similar poufs: CB2
Similar poufs: CB2
The collection of dining room chairs was a happy accident. “I couldn’t decide on a black chair, so I brought home several to try and intended to pick just one style,” Chamard says. “But my husband and I decided we loved them all, so we kept them.”
The couple, who continue the coach house’s entertaining tradition, like to guess which guests will chose which chair. “It’s interesting. Women always pick the comfortable ones; men always go for the angular seats,” Chamard says.
Left to right: Panton chair, Verner Panton; Chair One by Konstantin Grcic, Magis; Masters Chair, Kartell; Victoria Ghost Chair by Philippe Starck, Kartell
The couple, who continue the coach house’s entertaining tradition, like to guess which guests will chose which chair. “It’s interesting. Women always pick the comfortable ones; men always go for the angular seats,” Chamard says.
Left to right: Panton chair, Verner Panton; Chair One by Konstantin Grcic, Magis; Masters Chair, Kartell; Victoria Ghost Chair by Philippe Starck, Kartell
When it comes to dressing the table, Chamard likes to assemble pieces from his black and white pottery collection down the center and fill them with flowers. “I collect only vases in these colors,” he says. “I found that when you stick to a color, it doesn’t matter if the finish is matte or glossy.”
Chamard says that from childhood, he’s had a thing for mannequins. “To me they look like statues,” he says. A standard mannequin sits in the media corner of the living room.
The designer framed a collection of The Smiths album covers for this space. “Because the band used the same art director for all their covers, it reads as one big piece of art,” he says.
Album frames: Urban Outfitters
The designer framed a collection of The Smiths album covers for this space. “Because the band used the same art director for all their covers, it reads as one big piece of art,” he says.
Album frames: Urban Outfitters
One corner of the living area is for reading. On the wall are framed black and white prints Chamard has been collecting for years. “I have everything from fashion photography to a Miles Davis album cover,” he says. “They all go together, because they are pieces I like.”
Chair: Moel, Ligne Roset
Chair: Moel, Ligne Roset
One of the rarest mannequins in Chamard’s collection is this gray jointed model. It stands next to an artist’s cart he converted into a bar.
“This piece probably was beside someone’s desk and held his or her pencils, paints and brushes,” he says. “But I found that it was perfect for bottles and glasses. The fact that it can roll around makes it even better.”
Downstairs, in the master bedroom, the palette heats up to bright red. “It started with the vintage suzani,” Chamard says. “We just kept adding red pieces to it.”
A pair of shelving units at one end of the bedroom screens an office. The shapely piece in the foreground is a collection of letters leaning against one another. “I found them at an architectural salvage shop, and I chose an ‘S’ and a ‘P’ for our names. The heart is a candy box Philippe gave me,” Chamard says. “I might separate them someday, but for now it’s like a sculpture.”
Chamard’s design philosophy is simple: Go bold. “Too many times people are afraid to go for it in their interior, so they tone down their choices and it becomes uninteresting,” he says. “My best advice is, Don’t be afraid to be bold.”
Chamard’s design philosophy is simple: Go bold. “Too many times people are afraid to go for it in their interior, so they tone down their choices and it becomes uninteresting,” he says. “My best advice is, Don’t be afraid to be bold.”
Dossiers Houzz associés
Outdoor
Protéger une cuisine extérieure des intempéries et du soleil
Par Malika Bouzidi
Voici 10 réalisations inspirantes pour protéger et ombrager sa cuisine d'été
Lire Plus
Outdoor
18 idées pour concevoir une pergola de rêve
Par Anne-Laure Sizun
Vive le soleil et son ombre, la chaleur mais aussi un coin frais, les amis et le farniente, le végétal et les voiles !
Lire Plus
Avant/Après
Avant/Après : Naissance d'un duplex idéal sur l'île Saint-Louis
Par Agnès Carpentier
10 mois de gros travaux débouchent sur une refonte modèle tant spatiale que déco de deux appartements pour une famille
Lire Plus
Matériaux
Où utiliser le marbre pour embellir votre intérieur ?
Par Tristan JACQUEL
Sublimez votre intérieur avec l'élégance intemporelle du marbre
Lire Plus
Outdoor
7 choses que personne ne vous dit sur la conception d'un jardin
Découvrez quelques-uns des éléments les plus surprenants de rénovation d'un jardin
Lire Plus
Développement durable
Développement durable : Comment bien choisir ses matériaux ?
Par Agnès Conté
Être écolo ce n'est pas seulement trier ses déchets, c'est aussi faire les bons choix en matière d'habitat
Lire Plus
Avant/Après
Avant/Après : Un havre de paix verdoyant sur les toits parisiens
Par Elen Pouhaer
L'aménagement d'un vaste rooftop pour recevoir famille et amis, mais aussi pour flâner ou bouquiner
Lire Plus
Outdoor
Quel aménagement pour télétravailler au jardin ou en terrasse ?
Par Agnès Conté
Et si avec l'arrivée du printemps, on décidait de mettre notre bureau "au vert" !
Lire Plus
Matériaux
Comment adopter le travertin en décoration ?
Par Malika Bouzidi
Un condensé d'idées inspirantes pour intégrer le travertin à son intérieur et extérieur
Lire Plus
Outdoor
Comment protéger son balcon du vis-à-vis ?
Par Claire Tardy
Gagnez facilement en intimité sur un balcon extérieur grâce à l'une de ces 12 solutions
Lire Plus
vraiment très joli, le style est à hétéroclite mais se marie de manière homogène...
Bravo
juste j adore l idée de vivre l espace comme une toile blanche de peintre puis ornée avec gout par touches de couleurs dans chaque pièce .il y a beaucoup de personnalité .BRAVO
Tres joli apartement!