Idées déco de façades de maisons beiges
Mikiten ArchitectureSurrounded by permanently protected open space in the historic winemaking area of the South Livermore Valley, this house presents a weathered wood barn to the road, and has metal-clad sheds behind. The design process was driven by the metaphor of an old farmhouse that had been incrementally added to over the years. The spaces open to expansive views of vineyards and unspoiled hills.
Erick Mikiten, AIA
Wyrick Residential DesignCette image montre une grande façade de maison rouge en brique à un étage avec un toit à quatre pans, un toit mixte et un toit gris.
Richard Bubnowski Design LLCFront Elevation
Idées déco pour une façade de maison beige en bois et bardeaux de taille moyenne et à un étage avec un toit à quatre pans, un toit en shingle et un toit noir.
Idées déco pour une façade de maison beige en bois et bardeaux de taille moyenne et à un étage avec un toit à quatre pans, un toit en shingle et un toit noir.
Weber & Partner mbB | freie Architekten BDACette photo montre une façade de maison tendance en bois avec un toit en appentis.
JR Builders LLCRéalisation d'une grande façade de maison blanche champêtre à un étage avec un revêtement mixte, un toit à deux pans et un toit en shingle.
Davenport and Anderson HomesBrittany Wicked Photos
Cette image montre une façade de maison marron craftsman en panneau de béton fibré de taille moyenne et à un étage avec un toit à deux pans et un toit en shingle.
Cette image montre une façade de maison marron craftsman en panneau de béton fibré de taille moyenne et à un étage avec un toit à deux pans et un toit en shingle.
Archambault ConstructionCette photo montre une grande façade de maison nature en bois à un étage avec un toit de Gambrel et un toit en métal.
Levy Art + ArchitectureCesar Rubio
Cette image montre une façade de maison rose design en stuc de taille moyenne et à deux étages et plus avec un toit plat et un toit en métal.
Cette image montre une façade de maison rose design en stuc de taille moyenne et à deux étages et plus avec un toit plat et un toit en métal.
Cook DesignsClose up of entry to home
Idée de décoration pour une très grande façade de maison beige tradition en pierre à un étage avec un toit à deux pans.
Idée de décoration pour une très grande façade de maison beige tradition en pierre à un étage avec un toit à deux pans.
Shade House DevelopmentCette image montre une longère blanche design de plain-pied et de taille moyenne avec un toit à deux pans, un revêtement en vinyle et un toit blanc.
Christopher Architecture & InteriorsAménagement d'une façade de maison blanche classique en brique à un étage avec un toit en shingle.
SeARCH Architecture and Urban PlanningSeARCH and CMA collaborated to create Villa Vals, a holiday retreat dug in to the alpine slopes of Vals in Switzerland, a town of 1,000 made notable by Peter Zumthor’s nearby Therme Vals spa.
For more info visit http://www.search.nl/
Noel Cross+ArchitectsFirmness . . .
Santa Cruz’s historically eclectic Pleasure Point neighborhood has been evolving in its own quirky way for almost a century, and many of its inhabitants seem to have been around just as long. They cling to the relaxed and funky seaside character of their beach community with an almost indignant provinciality. For both client and architect, neighborhood context became the singular focus of the design; to become the “poster child” for compatibility and sustainability. Dozens of photos were taken of the surrounding area as inspiration, with the goal of honoring the idiosyncratic, fine-grained character and informal scale of a neighborhood built over time.
A low, horizontal weathered ipe fence at the street keeps out surfer vans and neighborhood dogs, and a simple gate beckons visitors to stroll down the boardwalk which gently angles toward the front door. A rusted steel fire pit is the focus of this ground level courtyard, which is encircled by a curving cor-ten garden wall graced by a sweep of horse tail reeds and tufts of feather grass.
Extensive day-lighting throughout the home is achieved with high windows placed in all directions in all major rooms, resulting in an abundance of natural light throughout. The clients report having only to turning on lights at nightfall. Notable are the numerous passive solar design elements: careful attention to overhangs and shading devices at South- and West-facing glass to control heat gain, and passive ventilation via high windows in the tower elements, all are significant contributors to the structure’s energy efficiency.
Commodity . . .
Beautiful views of Monterey Bay and the lively local beach scene became the main drivers in plan and section. The upper floor was intentionally set back to preserve ocean views of the neighbor to the north. The surf obsessed clients wished to be able to see the “break” from their upper floor breakfast table perch, able to take a moment’s notice advantage of some killer waves. A tiny 4,500 s.f. lot and a desire to create a ground level courtyard for entertaining dictated the small footprint. A graceful curving cor-ten and stainless steel stair descends from the upper floor living areas, connecting them to a ground level “sanctuary”.
A small detached art studio/surfboard storage shack in the back yard fulfills functional requirements, and includes an outdoor shower for the post-surf hose down. Parking access off a back alley helps to preserve ground floor space, and allows in the southern sun on the view/courtyard side. A relaxed “bare foot beach house” feel is underscored by weathered oak floors, painted re-sawn wall finishes, and painted wood ceilings, which recall the cozy cabins that stood here at Breakers Beach for nearly a century.
Delight . . .
Commemorating the history of the property was a priority for the surfing couple. With that in mind, they created an artistic reproduction of the original sign that decorated the property for many decades as an homage to the “Cozy Cabins at Breakers Beach”, which now graces the foyer.
This casual assemblage of local vernacular architecture has been informed by the consistent scale and simple materials of nearby cottages, shacks, and bungalows. These influences were distilled down to a palette of board and batt, clapboard, and cedar shiplap, and synthesized with bolder forms that evoke images of nearby Capitola Wharf, beach lifeguard towers, and the client’s “surf shack” program requirements. The landscape design takes its cues from boardwalks, rusted steel fire rings, and native grasses, all of which firmly tie the building to its local beach community. The locals have embraced it as one of their own.
Architect - Noel Cross Architect
Landscape Architect - Christopher Yates
Interior Designer - Gina Viscusi-Elson
Lighting Designer - Vita Pehar Design
Contractor - The Conrado Company
Dalrymple | Sallis ArchitectureIdées déco pour une grande façade de maison grise contemporaine en brique à deux étages et plus avec un toit à deux pans et un toit en métal.
Mihaly SlocombeHood House is a playful protector that respects the heritage character of Carlton North whilst celebrating purposeful change. It is a luxurious yet compact and hyper-functional home defined by an exploration of contrast: it is ornamental and restrained, subdued and lively, stately and casual, compartmental and open.
For us, it is also a project with an unusual history. This dual-natured renovation evolved through the ownership of two separate clients. Originally intended to accommodate the needs of a young family of four, we shifted gears at the eleventh hour and adapted a thoroughly resolved design solution to the needs of only two. From a young, nuclear family to a blended adult one, our design solution was put to a test of flexibility.
The result is a subtle renovation almost invisible from the street yet dramatic in its expressive qualities. An oblique view from the northwest reveals the playful zigzag of the new roof, the rippling metal hood. This is a form-making exercise that connects old to new as well as establishing spatial drama in what might otherwise have been utilitarian rooms upstairs. A simple palette of Australian hardwood timbers and white surfaces are complimented by tactile splashes of brass and rich moments of colour that reveal themselves from behind closed doors.
Our internal joke is that Hood House is like Lazarus, risen from the ashes. We’re grateful that almost six years of hard work have culminated in this beautiful, protective and playful house, and so pleased that Glenda and Alistair get to call it home.
Idées déco de façades de maisons beiges
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