Idées déco de façades de maisons multicolores marrons
Trier par :
Budget
Trier par:Populaires du jour
1 - 20 sur 1 080 photos
1 sur 3
Asha MevlanaWho lives there: Asha Mevlana and her Havanese dog named Bali
Location: Fayetteville, Arkansas
Size: Main house (400 sq ft), Trailer (160 sq ft.), 1 loft bedroom, 1 bath
What sets your home apart: The home was designed specifically for my lifestyle.
My inspiration: After reading the book, "The Life Changing Magic of Tidying," I got inspired to just live with things that bring me joy which meant scaling down on everything and getting rid of most of my possessions and all of the things that I had accumulated over the years. I also travel quite a bit and wanted to live with just what I needed.
About the house: The L-shaped house consists of two separate structures joined by a deck. The main house (400 sq ft), which rests on a solid foundation, features the kitchen, living room, bathroom and loft bedroom. To make the small area feel more spacious, it was designed with high ceilings, windows and two custom garage doors to let in more light. The L-shape of the deck mirrors the house and allows for the two separate structures to blend seamlessly together. The smaller "amplified" structure (160 sq ft) is built on wheels to allow for touring and transportation. This studio is soundproof using recycled denim, and acts as a recording studio/guest bedroom/practice area. But it doesn't just look like an amp, it actually is one -- just plug in your instrument and sound comes through the front marine speakers onto the expansive deck designed for concerts.
My favorite part of the home is the large kitchen and the expansive deck that makes the home feel even bigger. The deck also acts as a way to bring the community together where local musicians perform. I love having a the amp trailer as a separate space to practice music. But I especially love all the light with windows and garage doors throughout.
Design team: Brian Crabb (designer), Zack Giffin (builder, custom furniture) Vickery Construction (builder) 3 Volve Construction (builder)
Design dilemmas: Because the city wasn’t used to having tiny houses there were certain rules that didn’t quite make sense for a tiny house. I wasn’t allowed to have stairs leading up to the loft, only ladders were allowed. Since it was built, the city is beginning to revisit some of the old rules and hopefully things will be changing.
Photo cred: Don Shreve
Timberlake Custom HomesThis gorgeous modern home sits along a rushing river and includes a separate enclosed pavilion. Distinguishing features include the mixture of metal, wood and stone textures throughout the home in hues of brown, grey and black.
Cette photo montre une façade de maison multicolore tendance à un étage avec un revêtement mixte et un toit en appentis.
Brennan EnterprisesWindow replacement project ins Haslet, TX.
Réalisation d'une façade de maison multicolore design de taille moyenne et à un étage avec un revêtement mixte et un toit en shingle.
Réalisation d'une façade de maison multicolore design de taille moyenne et à un étage avec un revêtement mixte et un toit en shingle.
John Kraemer & SonsBuilder: John Kraemer & Sons | Architecture: Charlie & Co. Design | Interior Design: Martha O'Hara Interiors | Landscaping: TOPO | Photography: Gaffer Photography
Norman Building & DesignAnother view of the front entry and courtyard. Use of different materials helps to highlight the homes contemporary take on a NW lodge style home
Idée de décoration pour une grande façade de maison multicolore chalet en pierre à un étage avec un toit à deux pans et un toit en shingle.
Idée de décoration pour une grande façade de maison multicolore chalet en pierre à un étage avec un toit à deux pans et un toit en shingle.
CAMPBELL CONSTRUCTION & ENGINEERING LLCRéalisation d'une grande façade de maison multicolore chalet à deux étages et plus avec un revêtement mixte, un toit à deux pans, un toit en shingle et un toit gris.
Levan DesignIdées déco pour une façade de maison multicolore contemporaine à un étage avec un revêtement mixte, un toit plat et boîte aux lettres.
Peter J. Collins ArchitectsCette photo montre une grande façade de maison multicolore industrielle de plain-pied avec un revêtement mixte et un toit en appentis.
Quarry MillChateau is a beautiful tumbled natural limestone veneer that pairs beautifully with brick on this french country style home. Chateau is a tumbled thin veneer blend of natural limestone faces. The finished veneer showcases both the large irregular bedfaces along with the more linear split face pieces. The idea to blend the limestone faces and use a tumbled finish was initially put together by an architect in search of a stone that looks similar to the French countryside. The pieces have the gorgeous old-world look provided by the tumbled stone. The blend looks natural and as nature intended as all the stone in Chateau is from the same quarry. Walking through the quarry, you are able to see all the stone faces together and this is the exact natural look we are able to recreate in this real stone veneer.
Lands End Development - Designers & BuildersInspiration pour une façade de maison multicolore chalet à deux étages et plus avec un revêtement mixte, un toit à deux pans et un toit mixte.
LX DesignRendering of the proposed concept for Prairie Home Custom Home.
Inspiration pour une façade de maison multicolore traditionnelle en panneau de béton fibré de taille moyenne et à un étage avec un toit à quatre pans et un toit en shingle.
Inspiration pour une façade de maison multicolore traditionnelle en panneau de béton fibré de taille moyenne et à un étage avec un toit à quatre pans et un toit en shingle.
Mountain + Beach Interiors - Schonewill Int'lWith a dramatic mountain sunset showing the views of this custom home. Debra, the interior designer worked with the client to simplify the exterior materials and colors. The natural stone and steel were chosen to bring throughout the inside of the home. The vanilla buff and muted charcoal, greys, browns and black window frames and a talented landscaper bringing in the steel beam and natural elements to soften the architecture.
Eric Lucero photography
Amaron Folkestad GC Steamboats BuilderExterior Mountain Modern Contemporary Steamboat Springs Ski Resort Custom Home built by Amaron Folkestad General Contractors www.AmaronBuilders.com
Apex Architecture
Photos by Brian Adams
Denneen Custom Home BuildersAménagement d'une façade de maison multicolore bord de mer à un étage avec un revêtement mixte, un toit à quatre pans, un toit en métal et boîte aux lettres.
ddArchitectStanding seam low slope metal roofing contrasting with wood and cement plaster finish. Garage door admits light both day and night.
Exemple d'une grande façade de maison multicolore moderne de plain-pied avec un revêtement mixte et un toit en appentis.
Exemple d'une grande façade de maison multicolore moderne de plain-pied avec un revêtement mixte et un toit en appentis.
Fratantoni Luxury Estates Design/Build/RemodelingWe love this courtyard featuring arched entryways, a picture window, custom pergola & corbels and the exterior wall sconces!
Exemple d'une très grande façade de maison multicolore romantique à un étage avec un revêtement mixte, un toit à deux pans, un toit mixte et un toit marron.
Exemple d'une très grande façade de maison multicolore romantique à un étage avec un revêtement mixte, un toit à deux pans, un toit mixte et un toit marron.
Watermark Design GroupRoad Side of Lake Home. Remodel
Photography by Alyssa Lee
Cette image montre une façade de maison multicolore chalet en bois de taille moyenne et à un étage avec un toit à deux pans et un toit en shingle.
Cette image montre une façade de maison multicolore chalet en bois de taille moyenne et à un étage avec un toit à deux pans et un toit en shingle.
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
Idées déco de façades de maisons multicolores marrons
1