Idées déco de façades de maisons en pierre et béton
Trier par :
Budget
Trier par:Populaires du jour
1 - 20 sur 43 801 photos
Allen Architectes
Idées déco pour une façade de maison beige campagne en pierre à un étage avec un toit à deux pans et un toit en shingle.
Jours & Nuits
Jours & Nuits © Houzz 2018
Cette image montre une façade de maison beige nordique en pierre à un étage avec un toit à quatre pans et un toit en shingle.
Cette image montre une façade de maison beige nordique en pierre à un étage avec un toit à quatre pans et un toit en shingle.
User
Cyril Caballero
Réalisation d'une façade de maison beige champêtre en pierre à un étage avec un toit à quatre pans et un toit en tuile.
Réalisation d'une façade de maison beige champêtre en pierre à un étage avec un toit à quatre pans et un toit en tuile.
OP-PHOTOS
Pascal Otlinghaus
Réalisation d'une façade de maison beige méditerranéenne en pierre à un étage avec un toit à deux pans et un toit en tuile.
Réalisation d'une façade de maison beige méditerranéenne en pierre à un étage avec un toit à deux pans et un toit en tuile.
Tommasi Home
Réalisation d'une façade de maison chalet en pierre à un étage avec un toit en appentis.
Platform 5 Architects
Alan Williams Photography
Idées déco pour une façade de maison contemporaine en pierre à un étage.
Idées déco pour une façade de maison contemporaine en pierre à un étage.
Brooks and Falotico Associates, Inc.
JANE BEILES
Inspiration pour une grande façade de maison grise traditionnelle en pierre à deux étages et plus avec un toit à deux pans et un toit en shingle.
Inspiration pour une grande façade de maison grise traditionnelle en pierre à deux étages et plus avec un toit à deux pans et un toit en shingle.
david phillips
new construction / builder - cmd corp.
Aménagement d'une grande façade de maison beige classique en pierre à un étage avec un toit en shingle.
Aménagement d'une grande façade de maison beige classique en pierre à un étage avec un toit en shingle.
Racinowski Design Studio
Aménagement d'une grande façade de maison grise moderne en pierre et bardage à clin de plain-pied avec un toit plat.
Architecture Saville Isaacs
Exterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Material
Exemple d'une façade de maison de ville beige tendance en pierre de taille moyenne et à un étage avec un toit en appentis et un toit en métal.
JMDG Architecture | Planning + Interiors
Rear Elevation
Exemple d'une façade de maison bord de mer en béton à un étage avec un toit à quatre pans et un toit en métal.
Exemple d'une façade de maison bord de mer en béton à un étage avec un toit à quatre pans et un toit en métal.
Ward Jewell Architect AIA
Ward Jewell, AIA was asked to design a comfortable one-story stone and wood pool house that was "barn-like" in keeping with the owner’s gentleman farmer concept. Thus, Mr. Jewell was inspired to create an elegant New England Stone Farm House designed to provide an exceptional environment for them to live, entertain, cook and swim in the large reflection lap pool.
Mr. Jewell envisioned a dramatic vaulted great room with hand selected 200 year old reclaimed wood beams and 10 foot tall pocketing French doors that would connect the house to a pool, deck areas, loggia and lush garden spaces, thus bringing the outdoors in. A large cupola “lantern clerestory” in the main vaulted ceiling casts a natural warm light over the graceful room below. The rustic walk-in stone fireplace provides a central focal point for the inviting living room lounge. Important to the functionality of the pool house are a chef’s working farm kitchen with open cabinetry, free-standing stove and a soapstone topped central island with bar height seating. Grey washed barn doors glide open to reveal a vaulted and beamed quilting room with full bath and a vaulted and beamed library/guest room with full bath that bookend the main space.
The private garden expanded and evolved over time. After purchasing two adjacent lots, the owners decided to redesign the garden and unify it by eliminating the tennis court, relocating the pool and building an inspired "barn". The concept behind the garden’s new design came from Thomas Jefferson’s home at Monticello with its wandering paths, orchards, and experimental vegetable garden. As a result this small organic farm, was born. Today the farm produces more than fifty varieties of vegetables, herbs, and edible flowers; many of which are rare and hard to find locally. The farm also grows a wide variety of fruits including plums, pluots, nectarines, apricots, apples, figs, peaches, guavas, avocados (Haas, Fuerte and Reed), olives, pomegranates, persimmons, strawberries, blueberries, blackberries, and ten different types of citrus. The remaining areas consist of drought-tolerant sweeps of rosemary, lavender, rockrose, and sage all of which attract butterflies and dueling hummingbirds.
Photo Credit: Laura Hull Photography. Interior Design: Jeffrey Hitchcock. Landscape Design: Laurie Lewis Design. General Contractor: Martin Perry Premier General Contractors
Golden Visions Design
Comprised of two static and four moveable panels, the glass facade allows the homeowners to tailor them to the occasion. When open, they offer views of the Santa Cruz highlands and refreshing breezes throughout the day.
Golden Visions Design
Santa Cruz, CA 95062
C.F. Møller
Cette image montre une façade de maison noire minimaliste en béton de taille moyenne et à un étage avec un toit plat.
Ridge Creek Custom Homes
Cette image montre une façade de maison grise traditionnelle en pierre à un étage et de taille moyenne avec un toit à deux pans.
DeSantana Natural Stone Company, LLC
This beautiful cottage is a part of french country inspired village designed by Leo Dowell and built by David Simonini. With Leo's designs, we fabricated the hand carved limestone entry for this home. Our team of design professionals is available to answer any questions you may have at: (828) 681-5111.
Trueblood Design-Build
Custom home in Bucks County PA designed and built by Trueblood.
[photo: Tom Grimes]
Exemple d'une façade de maison chic en pierre à un étage avec un toit à deux pans.
Exemple d'une façade de maison chic en pierre à un étage avec un toit à deux pans.
Idées déco de façades de maisons en pierre et béton
1