Idées déco de façades de maisons rétro à deux étages et plus
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Nautilus HomesThis is a home that was designed around the property. With views in every direction from the master suite and almost everywhere else in the home. The home was designed by local architect Randy Sample and the interior architecture was designed by Maurice Jennings Architecture, a disciple of E. Fay Jones. New Construction of a 4,400 sf custom home in the Southbay Neighborhood of Osprey, FL, just south of Sarasota.
Photo - Ricky Perrone
Chapman Design Group, Inc.Exemple d'une façade de maison grise rétro de taille moyenne et à deux étages et plus avec un revêtement mixte, un toit en appentis et un toit en métal.
ProTEK PaintersThis photo really shows how the charcoal and gold paint colors highlight the shingle siding. This color is a great choice for emphasizing the natural charm and flexibility of wood as a surface. The natural surface of both the back steps and bench in the foreground stand in stark contrast. This greatly enhances the view of the charcoal and gold trim, while bringing them together.
AXIS ARCHITECTSCette image montre une grande façade de maison blanche vintage à deux étages et plus avec un toit à deux pans, un toit en métal et un toit noir.
Flavin ArchitectsThis house west of Boston was originally designed in 1958 by the great New England modernist, Henry Hoover. He built his own modern home in Lincoln in 1937, the year before the German émigré Walter Gropius built his own world famous house only a few miles away. By the time this 1958 house was built, Hoover had matured as an architect; sensitively adapting the house to the land and incorporating the clients wish to recreate the indoor-outdoor vibe of their previous home in Hawaii.
The house is beautifully nestled into its site. The slope of the roof perfectly matches the natural slope of the land. The levels of the house delicately step down the hill avoiding the granite ledge below. The entry stairs also follow the natural grade to an entry hall that is on a mid level between the upper main public rooms and bedrooms below. The living spaces feature a south- facing shed roof that brings the sun deep in to the home. Collaborating closely with the homeowner and general contractor, we freshened up the house by adding radiant heat under the new purple/green natural cleft slate floor. The original interior and exterior Douglas fir walls were stripped and refinished.
Photo by: Nat Rea Photography
Marrapodi ArchitectureCette image montre une façade de maison vintage en bois de taille moyenne et à deux étages et plus avec un toit à quatre pans.
AHG InteriorsThinking outside the box
Perched on a hilltop in the Catskills, this sleek 1960s A-frame is right at home among pointed firs and
mountain peaks.
An unfussy, but elegant design with modern shapes, furnishings, and material finishes both softens and enhances the home’s architecture and natural surroundings, bringing light and airiness to every room.
A clever peekaboo aesthetic enlivens many of the home’s new design elements―invisible touches of lucite, accented brass surfaces, oversized mirrors, and windows and glass partitions in the spa bathrooms, which give you all the comfort of a high-end hotel, and the feeling that you’re showering in nature.
Downstairs ample seating and a wet bar―a nod to your parents’ 70s basement―make a perfect space for entertaining. Step outside onto the spacious deck, fire up the grill, and enjoy the gorgeous mountain views.
Stonework, scattered like breadcrumbs around the 5-acre property, leads you to several lounging nooks, where you can stretch out with a book or take a soak in the hot tub.
Every thoughtful detail adds softness and magic to this forest home.
Made To Last Custom Homes Ltd.Our client fell in love with the original 80s style of this house. However, no part of it had been updated since it was built in 1981. Both the style and structure of the home needed to be drastically updated to turn this house into our client’s dream modern home. We are also excited to announce that this renovation has transformed this 80s house into a multiple award-winning home, including a major award for Renovator of the Year from the Vancouver Island Building Excellence Awards. The original layout for this home was certainly unique. In addition, there was wall-to-wall carpeting (even in the bathroom!) and a poorly maintained exterior.
There were several goals for the Modern Revival home. A new covered parking area, a more appropriate front entry, and a revised layout were all necessary. Therefore, it needed to have square footage added on as well as a complete interior renovation. One of the client’s key goals was to revive the modern 80s style that she grew up loving. Alfresco Living Design and A. Willie Design worked with Made to Last to help the client find creative solutions to their goals.
FISHER ARCHitectureEric Fisher
Réalisation d'une façade de maison métallique et bleue vintage de taille moyenne et à deux étages et plus avec un toit plat.
Réalisation d'une façade de maison métallique et bleue vintage de taille moyenne et à deux étages et plus avec un toit plat.
ReisarchitetturaIl fronte principale
Inspiration pour une façade de maison beige vintage en pierre et bardage à clin de taille moyenne et à deux étages et plus avec un toit à quatre pans, un toit en métal et un toit gris.
Inspiration pour une façade de maison beige vintage en pierre et bardage à clin de taille moyenne et à deux étages et plus avec un toit à quatre pans, un toit en métal et un toit gris.
Scott Cornelius ArchitectExterior of master bedroom at twilight
Aménagement d'une très grande façade de maison marron rétro en bois à deux étages et plus.
Aménagement d'une très grande façade de maison marron rétro en bois à deux étages et plus.
Vision InteriorsThe Holloway blends the recent revival of mid-century aesthetics with the timelessness of a country farmhouse. Each façade features playfully arranged windows tucked under steeply pitched gables. Natural wood lapped siding emphasizes this homes more modern elements, while classic white board & batten covers the core of this house. A rustic stone water table wraps around the base and contours down into the rear view-out terrace.
Inside, a wide hallway connects the foyer to the den and living spaces through smooth case-less openings. Featuring a grey stone fireplace, tall windows, and vaulted wood ceiling, the living room bridges between the kitchen and den. The kitchen picks up some mid-century through the use of flat-faced upper and lower cabinets with chrome pulls. Richly toned wood chairs and table cap off the dining room, which is surrounded by windows on three sides. The grand staircase, to the left, is viewable from the outside through a set of giant casement windows on the upper landing. A spacious master suite is situated off of this upper landing. Featuring separate closets, a tiled bath with tub and shower, this suite has a perfect view out to the rear yard through the bedroom's rear windows. All the way upstairs, and to the right of the staircase, is four separate bedrooms. Downstairs, under the master suite, is a gymnasium. This gymnasium is connected to the outdoors through an overhead door and is perfect for athletic activities or storing a boat during cold months. The lower level also features a living room with a view out windows and a private guest suite.
Architect: Visbeen Architects
Photographer: Ashley Avila Photography
Builder: AVB Inc.
Flavin ArchitectsThis house west of Boston was originally designed in 1958 by the great New England modernist, Henry Hoover. He built his own modern home in Lincoln in 1937, the year before the German émigré Walter Gropius built his own world famous house only a few miles away. By the time this 1958 house was built, Hoover had matured as an architect; sensitively adapting the house to the land and incorporating the clients wish to recreate the indoor-outdoor vibe of their previous home in Hawaii.
The house is beautifully nestled into its site. The slope of the roof perfectly matches the natural slope of the land. The levels of the house delicately step down the hill avoiding the granite ledge below. The entry stairs also follow the natural grade to an entry hall that is on a mid level between the upper main public rooms and bedrooms below. The living spaces feature a south- facing shed roof that brings the sun deep in to the home. Collaborating closely with the homeowner and general contractor, we freshened up the house by adding radiant heat under the new purple/green natural cleft slate floor. The original interior and exterior Douglas fir walls were stripped and refinished.
Photo by: Nat Rea Photography
Marrapodi ArchitectureIdées déco pour une façade de maison rétro en bois de taille moyenne et à deux étages et plus avec un toit à quatre pans.
AHG InteriorsThinking outside the box
Perched on a hilltop in the Catskills, this sleek 1960s A-frame is right at home among pointed firs and
mountain peaks.
An unfussy, but elegant design with modern shapes, furnishings, and material finishes both softens and enhances the home’s architecture and natural surroundings, bringing light and airiness to every room.
A clever peekaboo aesthetic enlivens many of the home’s new design elements―invisible touches of lucite, accented brass surfaces, oversized mirrors, and windows and glass partitions in the spa bathrooms, which give you all the comfort of a high-end hotel, and the feeling that you’re showering in nature.
Downstairs ample seating and a wet bar―a nod to your parents’ 70s basement―make a perfect space for entertaining. Step outside onto the spacious deck, fire up the grill, and enjoy the gorgeous mountain views.
Stonework, scattered like breadcrumbs around the 5-acre property, leads you to several lounging nooks, where you can stretch out with a book or take a soak in the hot tub.
Every thoughtful detail adds softness and magic to this forest home.
The Brooklyn StudioThis residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine.
Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home.
The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living.
This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut.
Photography by Kevin Kunstadt
Chapman Design Group, Inc.Exemple d'une façade de maison grise rétro de taille moyenne et à deux étages et plus avec un revêtement mixte, un toit en appentis et un toit en métal.
Beer Architectural GroupInspiration pour une très grande façade de maison vintage à deux étages et plus avec un toit en appentis.
Guy Peterson Office for ArchitectureSteven Brooke Studios | Twitchell and Rudolph
Inspiration pour une façade de maison vintage à deux étages et plus avec un toit plat.
Inspiration pour une façade de maison vintage à deux étages et plus avec un toit plat.
Idées déco de façades de maisons rétro à deux étages et plus
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