Idées déco de façades de maisons scandinaves à deux étages et plus
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森吉直剛アトリエ/MORIYOSHI NAOTAKE ATELIER ARCHITECTSPhoto Copyright Satoshi Shigeta
Cette photo montre une petite façade de maison multicolore scandinave à deux étages et plus avec un toit à deux pans et un toit en métal.
Cette photo montre une petite façade de maison multicolore scandinave à deux étages et plus avec un toit à deux pans et un toit en métal.
Christian Stolz BauenEntwurf und Bau: Christian Stolz /
Foto: Frank Jasper
Réalisation d'une grande façade de maison marron nordique en bois à deux étages et plus avec un toit à deux pans.
Réalisation d'une grande façade de maison marron nordique en bois à deux étages et plus avec un toit à deux pans.
Dennis Hellyar ArchitectsIdées déco pour une façade de maison noire scandinave en bois de taille moyenne et à deux étages et plus avec un toit à deux pans et un toit en tuile.
Unfold ArchitectureFront of Building
Inspiration pour une façade de maison de ville marron nordique de taille moyenne et à deux étages et plus avec un revêtement mixte, un toit à deux pans, un toit en métal et un toit noir.
Inspiration pour une façade de maison de ville marron nordique de taille moyenne et à deux étages et plus avec un revêtement mixte, un toit à deux pans, un toit en métal et un toit noir.
Seattle Staged to Sell and Design LLCIdées déco pour une grande façade de maison blanche scandinave à deux étages et plus.
Lands End Development - Designers & BuildersRéalisation d'une façade de maison nordique en bois de taille moyenne et à deux étages et plus avec un toit à deux pans et un toit en shingle.
Cette image montre une façade de maison blanche nordique en stuc à deux étages et plus et de taille moyenne avec un toit à deux pans.
Art & Stone GroupIdée de décoration pour une façade de maison multicolore nordique en panneau de béton fibré à deux étages et plus avec un toit plat, un toit mixte et un toit noir.
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
SGD A Architecture + DesignC'est le retour en force de la maison blanche. La résidence Gilbert Poulin a tout de celle-ci: des lignes minimaliste, un décor très épuré et bien sûr l’omniprésence du blanc rappelle le style scandinave.
Silicon BayIdée de décoration pour une façade de maison blanche nordique à deux étages et plus avec un revêtement mixte et un toit plat.
Mailen ArchitectsKristen McCluskie, Simon Maxwell
Idée de décoration pour une façade de maison beige nordique en bois de taille moyenne et à deux étages et plus avec un toit à deux pans.
Idée de décoration pour une façade de maison beige nordique en bois de taille moyenne et à deux étages et plus avec un toit à deux pans.
Motto Interior DesignAménagement d'une façade de maison bleue scandinave en bois de taille moyenne et à deux étages et plus.
Seattle Staged to Sell and Design LLCCette photo montre une grande façade de maison blanche scandinave à deux étages et plus.
Retro+Fit Design L.L.C.Cette image montre une façade de maison grise nordique de taille moyenne et à deux étages et plus avec un revêtement mixte, un toit à deux pans et un toit en métal.
Fiedler + PartnerReinhard Fiedler
Exemple d'une façade de maison grise scandinave en stuc de taille moyenne et à deux étages et plus avec un toit à deux pans.
Exemple d'une façade de maison grise scandinave en stuc de taille moyenne et à deux étages et plus avec un toit à deux pans.
Roundabout Studio Inc.Idées déco pour une grande façade de maison noire scandinave en bois à deux étages et plus.
Silicon BayCette photo montre une façade de maison blanche scandinave à deux étages et plus avec un revêtement mixte et un toit plat.
Sky Architect StudioAnother new design completed in Pascoe Vale South by our team.
Creating this home is an exciting experience, where we blend the design with its existing fantastic site context, every angle from forest view is just breathtaking.
Our Architecture design for this home puts emphasis on a modern Barn house, where we create a long rectangular form with a cantilevered balcony on 3rd Storey.
Overall, the modern architecture form & material juxtaposed with the natural landscape, bringing the best living experience for our lovely client.
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
Idées déco de façades de maisons scandinaves à deux étages et plus
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