Idées déco d'entrées bleues, de couleur bois
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US Door & More IncSKU E91662WB-WE8ATDB
Prehung SKU WE8ATDB
Associated Door SKU E91662WB
Associated Products skus E91662WB , E91672WB , E91742WB , E91752WB , E91842WB , E91852WB , E91862WB
Door Configuration Double Door
Prehung Options Prehung/Door with Frame and Hinges
Prehung Options Prehung
PreFinished Options No
Grain Knotty Alder
Material Wood
Door Width- 2(36")[6'-0"]
Door height 96 in. (8-0)
Door Size 6'-0" x 8'-0"
Thickness (inch) 1 3/4 (1.75)
Rough Opening 74-3/4 x 98-1/2
DP Rating +50.0|-50.0
Product Type Entry Door
Door Type Exterior
Door Style Arch Top
Lite Style Arch Lite
Panel Style No
Approvals Wind-load Rated, FSC (Forest Stewardship Council), SFI (Sustainable Forestry Initiative)
Door Options No
Door Glass Type Double Glazed
Door Glass Features Tempered
Glass Texture No
Glass Caming No
Door Model Bellagio
Door Construction Estancia
Collection External Wrought Iron
Brand GC
Shipping Size (w)"x (l)"x (h)" 25" (w)x 108" (l)x 52" (h)
Weight 400.0000
360 YardwareParagon Mid-Century Modern Adhesive House Numbers paired alongside a Paragon Mid-Century Modern Doorbell. Such a chic exterior! [Paragon is no longer available]
Giulietti Schouten Weber ArchitectsLocated within the urban core of Portland, Oregon, this 7th floor 2500 SF penthouse sits atop the historic Crane Building, a brick warehouse built in 1909. It has established views of the city, bridges and west hills but its historic status restricted any changes to the exterior. Working within the constraints of the existing building shell, GS Architects aimed to create an “urban refuge”, that provided a personal retreat for the husband and wife owners with the option to entertain on occasion.
Sellentin True Design BuildCette image montre une entrée design avec une porte simple et une porte en bois brun.
UserInspiration pour un grand hall d'entrée design avec un mur blanc, un sol en bois brun, une porte double et une porte noire.
Two Trees Architects, IncIdée de décoration pour une porte d'entrée minimaliste de taille moyenne avec une porte pivot et une porte en verre.
Klopf Architecture
Klopf Architecture, Arterra Landscape Architects and Henry Calvert of Calvert Ventures Designed and built a new warm, modern, Eichler-inspired, open, indoor-outdoor home on a deeper-than-usual San Mateo Highlands property where an original Eichler house had burned to the ground.
The owners wanted multi-generational living and larger spaces than the original home offered, but all parties agreed that the house should respect the neighborhood and blend in stylistically with the other Eichlers. At first the Klopf team considered re-using what little was left of the original home and expanding on it. But after discussions with the owner and builder, all parties agreed that the last few remaining elements of the house were not practical to re-use, so Klopf Architecture designed a new home that pushes the Eichler approach in new directions.
One disadvantage of Eichler production homes is that the house designs were not optimized for each specific lot. A new custom home offered the team a chance to start over. In this case, a longer house that opens up sideways to the south fit the lot better than the original square-ish house that used to open to the rear (west). Accordingly, the Klopf team designed an L-shaped “bar” house with a large glass wall with large sliding glass doors that faces sideways instead of to the rear like a typical Eichler. This glass wall opens to a pool and landscaped yard designed by Arterra Landscape Architects.
Driving by the house, one might assume at first glance it is an Eichler because of the horizontality, the overhanging flat roof eaves, the dark gray vertical siding, and orange solid panel front door, but the house is designed for the 21st Century and is not meant to be a “Likeler.” You won't see any posts and beams in this home. Instead, the ceiling decking is a western red cedar that covers over all the beams. Like Eichlers, this cedar runs continuously from inside to out, enhancing the indoor / outdoor feeling of the house, but unlike Eichlers it conceals a cavity for lighting, wiring, and insulation. Ceilings are higher, rooms are larger and more open, the master bathroom is light-filled and more generous, with a separate tub and shower and a separate toilet compartment, and there is plenty of storage. The garage even easily fits two of today's vehicles with room to spare.
A massive 49-foot by 12-foot wall of glass and the continuity of materials from inside to outside enhance the inside-outside living concept, so the owners and their guests can flow freely from house to pool deck to BBQ to pool and back.
During construction in the rough framing stage, Klopf thought the front of the house appeared too tall even though the house had looked right in the design renderings (probably because the house is uphill from the street). So Klopf Architecture paid the framer to change the roofline from how we had designed it to be lower along the front, allowing the home to blend in better with the neighborhood. One project goal was for people driving up the street to pass the home without immediately noticing there is an "imposter" on this lot, and making that change was essential to achieve that goal.
This 2,606 square foot, 3 bedroom, 3 bathroom Eichler-inspired new house is located in San Mateo in the heart of the Silicon Valley.
Klopf Architecture Project Team: John Klopf, AIA, Klara Kevane
Landscape Architect: Arterra Landscape Architects
Contractor: Henry Calvert of Calvert Ventures
Photography ©2016 Mariko Reed
Location: San Mateo, CA
Year completed: 2016
Siding & Windows Group LtdHighland Park, IL 60035 Colonial Home with Hardie Custom Color Siding Shingle Straight Edge Shake (Front) Lap (Sides), HardieTrim Arctic White ROOF IKO Oakridge Architectural Shingles Estate Gray and installed metal roof front entry portico.
Exterior Worlds Landscaping & DesignExemple d'une grande porte d'entrée chic avec une porte double et une porte en bois brun.
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
永森建設株式会社窓から優しい光が注ぐ玄関。
Idées déco pour une entrée moderne avec un couloir, un mur blanc, un sol en bois brun, une porte en bois brun et un sol marron.
Idées déco pour une entrée moderne avec un couloir, un mur blanc, un sol en bois brun, une porte en bois brun et un sol marron.
”健康志向”特化 トス設計玄関・木製玄関戸・網戸取付
Cette photo montre une petite entrée asiatique avec un couloir, un mur blanc, parquet clair, une porte en bois clair, un sol beige et une porte simple.
Cette photo montre une petite entrée asiatique avec un couloir, un mur blanc, parquet clair, une porte en bois clair, un sol beige et une porte simple.
Geometrium - Студия дизайна интерьеровExemple d'une porte d'entrée tendance avec un mur blanc, une porte simple, une porte jaune et un sol blanc.
Westwind ConstructionGated Entry
Cette image montre une très grande porte d'entrée rustique avec une porte double et une porte en verre.
Cette image montre une très grande porte d'entrée rustique avec une porte double et une porte en verre.
Дарья Василькова, студия «Art Group»Cette photo montre une porte d'entrée éclectique avec un mur blanc, une porte simple, une porte blanche, un sol multicolore et un sol en carrelage de céramique.
Anne ShutanThe movement in my doors is what makes each truly unique. Mahogany is the most stable wood of all. Most durable. I have also used other hardwoods (cherry, walnut, teak). With my favorite tool, the bandsaw, I am able to literally turn my sculptures inside out exposing the true middle of the tree, usually the most hidden and protected. Finding the soft, sensual nature inside a rough material is an exciting challenge. For me, warm wood sculptures and doors are a welcome relief from the frantic qualities of today’s world.
Idées déco d'entrées bleues, de couleur bois
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