Idées déco d'entrées bleues, turquoises
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Polhemus Savery DaSilvaBrian Vanden Brink
Cette image montre une porte d'entrée traditionnelle avec une porte simple.
Cette image montre une porte d'entrée traditionnelle avec une porte simple.
360 YardwareParagon Mid-Century Modern Adhesive House Numbers paired alongside a Paragon Mid-Century Modern Doorbell. Such a chic exterior! [Paragon is no longer available]
UserInspiration pour un grand hall d'entrée design avec un mur blanc, un sol en bois brun, une porte double et une porte noire.
Two Trees Architects, IncIdée de décoration pour une porte d'entrée minimaliste de taille moyenne avec une porte pivot et une porte en verre.
Siding & Windows Group LtdHighland Park, IL 60035 Colonial Home with Hardie Custom Color Siding Shingle Straight Edge Shake (Front) Lap (Sides), HardieTrim Arctic White ROOF IKO Oakridge Architectural Shingles Estate Gray and installed metal roof front entry portico.
le.nid-architecture intérieureVilla Marcès - Réaménagement et décoration d'un appartement, 94 - Un double claustra, dessiné sur mesure, remplace la double porte vitrée séparant l'entrée de la pièce à vivre tout en laissant passer la lumière.
Exterior Worlds Landscaping & DesignExemple d'une grande porte d'entrée chic avec une porte double et une porte en bois brun.
Pistro BuildersCette image montre une entrée traditionnelle de taille moyenne avec un vestiaire, un mur bleu, parquet foncé et un sol marron.
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
永森建設株式会社窓から優しい光が注ぐ玄関。
Idées déco pour une entrée moderne avec un couloir, un mur blanc, un sol en bois brun, une porte en bois brun et un sol marron.
Idées déco pour une entrée moderne avec un couloir, un mur blanc, un sol en bois brun, une porte en bois brun et un sol marron.
Geometrium - Студия дизайна интерьеровExemple d'une porte d'entrée tendance avec un mur blanc, une porte simple, une porte jaune et un sol blanc.
Westwind ConstructionGated Entry
Cette image montre une très grande porte d'entrée rustique avec une porte double et une porte en verre.
Cette image montre une très grande porte d'entrée rustique avec une porte double et une porte en verre.
Дарья Василькова, студия «Art Group»Cette photo montre une porte d'entrée éclectique avec un mur blanc, une porte simple, une porte blanche, un sol multicolore et un sol en carrelage de céramique.
RA Nelson LLCThis expansive 10,000 square foot residence has the ultimate in quality, detail, and design. The mountain contemporary residence features copper, stone, and European reclaimed wood on the exterior. Highlights include a 24 foot Weiland glass door, floating steel stairs with a glass railing, double A match grain cabinets, and a comprehensive fully automated control system. An indoor basketball court, gym, swimming pool, and multiple outdoor fire pits make this home perfect for entertaining. Photo: Ric Stovall
Skyring ArchitectsThe entry was originally just a stair with no weather protection. We added a room and an interesting screen made from left over weatherboards . This solution gave the entry unique character and provided privacy from the street.
www.laramasselos.com
Prentiss Balance Wickline ArchitectsPhotographer: Jay Goodrich
This 2800 sf single-family home was completed in 2009. The clients desired an intimate, yet dynamic family residence that reflected the beauty of the site and the lifestyle of the San Juan Islands. The house was built to be both a place to gather for large dinners with friends and family as well as a cozy home for the couple when they are there alone.
The project is located on a stunning, but cripplingly-restricted site overlooking Griffin Bay on San Juan Island. The most practical area to build was exactly where three beautiful old growth trees had already chosen to live. A prior architect, in a prior design, had proposed chopping them down and building right in the middle of the site. From our perspective, the trees were an important essence of the site and respectfully had to be preserved. As a result we squeezed the programmatic requirements, kept the clients on a square foot restriction and pressed tight against property setbacks.
The delineate concept is a stone wall that sweeps from the parking to the entry, through the house and out the other side, terminating in a hook that nestles the master shower. This is the symbolic and functional shield between the public road and the private living spaces of the home owners. All the primary living spaces and the master suite are on the water side, the remaining rooms are tucked into the hill on the road side of the wall.
Off-setting the solid massing of the stone walls is a pavilion which grabs the views and the light to the south, east and west. Built in a position to be hammered by the winter storms the pavilion, while light and airy in appearance and feeling, is constructed of glass, steel, stout wood timbers and doors with a stone roof and a slate floor. The glass pavilion is anchored by two concrete panel chimneys; the windows are steel framed and the exterior skin is of powder coated steel sheathing.
Idées déco d'entrées bleues, turquoises
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