Idées déco d'escaliers avec un garde-corps en verre et un garde-corps en matériaux mixtes
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Jeff King & CompanyPaul Dyer Photography
Aménagement d'un escalier sans contremarche droit classique avec des marches en bois et un garde-corps en matériaux mixtes.
Aménagement d'un escalier sans contremarche droit classique avec des marches en bois et un garde-corps en matériaux mixtes.
Ike Kligerman BarkleyDurston Saylor
Cette image montre un grand escalier peint courbe traditionnel avec des marches en bois et un garde-corps en matériaux mixtes.
Cette image montre un grand escalier peint courbe traditionnel avec des marches en bois et un garde-corps en matériaux mixtes.
Dyna BuildersAménagement d'un escalier contemporain avec des marches en bois, un garde-corps en matériaux mixtes et palier.
Eisenmann ArchitectureCette image montre un escalier design en L de taille moyenne avec des marches en bois et un garde-corps en matériaux mixtes.
Avid Interior Design Inc.This gorgeous renovated 6500 square foot estate home was recognized by the International Design and Architecture Awards 2023 and nominated in these 3 categories: Luxury Residence Canada, Kitchen over 50,000GBP, and Regeneration/Restoration.
This project won the award for Luxury Residence Canada!
The design of this home merges old world charm with the elegance of modern design. We took this home from outdated and over-embellished to simplified and classic sophistication. Our design embodies a true feeling of home — one that is livable, warm and timeless.
Century Stair CompanyExpansive straight lines define this modern staircase, which features natural/blond hues Hickory steps and stringers that match the linear and smooth hand rail. The stairway's horizontal black rails and symmetrically spaced vertical balusters, allow for plenty of natural light to travel throughout the open stairwell and into the adjacent open areas. CSC 1976-2020 © Century Stair Company ® All rights reserved.
Architecture Saville IsaacsInternal - Floating Staircase
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Melinda TweeddaleSteve Simonsen Photography
Cette photo montre un grand escalier flottant moderne avec un garde-corps en verre.
Cette photo montre un grand escalier flottant moderne avec un garde-corps en verre.
Regal Construction & Remodeling Inc.Idée de décoration pour un grand escalier sans contremarche minimaliste en U avec des marches en bois, un garde-corps en matériaux mixtes, palier et éclairage.
Creative Mirror & ShowerCette image montre un grand escalier sans contremarche flottant minimaliste avec des marches en bois et un garde-corps en verre.
Aménagement d'un escalier hélicoïdal contemporain avec des contremarches en bois, des marches en bois, un garde-corps en verre et palier.
Century Stair CompanyThree floating-curved flights play a spectacular effect in this recently built home; soft wooden oak treads and oak rails blend beautifully with the hardwood flooring, while its balustrade is an architectural decorative confection of black wrought-iron in clean geometrical patterns. CSC 1976-2022 © Century Stair Company ® All rights reserved.
Brendan McHugh, Architect, Manasquan, NJExemple d'un escalier peint chic en U de taille moyenne avec des marches en bois, un garde-corps en matériaux mixtes et boiseries.
Mark English Architects, AIAThe Atherton House is a family compound for a professional couple in the tech industry, and their two teenage children. After living in Singapore, then Hong Kong, and building homes there, they looked forward to continuing their search for a new place to start a life and set down roots.
The site is located on Atherton Avenue on a flat, 1 acre lot. The neighboring lots are of a similar size, and are filled with mature planting and gardens. The brief on this site was to create a house that would comfortably accommodate the busy lives of each of the family members, as well as provide opportunities for wonder and awe. Views on the site are internal. Our goal was to create an indoor- outdoor home that embraced the benign California climate.
The building was conceived as a classic “H” plan with two wings attached by a double height entertaining space. The “H” shape allows for alcoves of the yard to be embraced by the mass of the building, creating different types of exterior space. The two wings of the home provide some sense of enclosure and privacy along the side property lines. The south wing contains three bedroom suites at the second level, as well as laundry. At the first level there is a guest suite facing east, powder room and a Library facing west.
The north wing is entirely given over to the Primary suite at the top level, including the main bedroom, dressing and bathroom. The bedroom opens out to a roof terrace to the west, overlooking a pool and courtyard below. At the ground floor, the north wing contains the family room, kitchen and dining room. The family room and dining room each have pocketing sliding glass doors that dissolve the boundary between inside and outside.
Connecting the wings is a double high living space meant to be comfortable, delightful and awe-inspiring. A custom fabricated two story circular stair of steel and glass connects the upper level to the main level, and down to the basement “lounge” below. An acrylic and steel bridge begins near one end of the stair landing and flies 40 feet to the children’s bedroom wing. People going about their day moving through the stair and bridge become both observed and observer.
The front (EAST) wall is the all important receiving place for guests and family alike. There the interplay between yin and yang, weathering steel and the mature olive tree, empower the entrance. Most other materials are white and pure.
The mechanical systems are efficiently combined hydronic heating and cooling, with no forced air required.
Kristina Lawrence Interior DesignRéalisation d'un grand escalier sans contremarche design en U avec des marches en bois et un garde-corps en verre.
Espedal Design ConstructIdée de décoration pour un grand escalier sans contremarche flottant design avec des marches en bois et un garde-corps en matériaux mixtes.
Erica Peale DesignModern Farmhouse stairs
Cette image montre un grand escalier peint rustique en U avec des marches en bois et un garde-corps en matériaux mixtes.
Cette image montre un grand escalier peint rustique en U avec des marches en bois et un garde-corps en matériaux mixtes.
SF ModernIdée de décoration pour un escalier droit design avec des marches en bois, des contremarches en bois et un garde-corps en verre.
ANX / Aaron Neubert ArchitectsIdée de décoration pour un escalier minimaliste en U de taille moyenne avec des marches en bois, des contremarches en bois et un garde-corps en matériaux mixtes.
Bria Hammel InteriorsAménagement d'un escalier peint courbe classique avec des marches en bois et un garde-corps en matériaux mixtes.
Idées déco d'escaliers avec un garde-corps en verre et un garde-corps en matériaux mixtes
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