Houzz Logo Print

Idées déco de façades de maison

Contemporary Exterior
Contemporary Exterior
Aménagement d'une grande façade de maison grise contemporaine à un étage avec un toit en appentis, un revêtement mixte et un toit végétal.
St. Helena Farmhouse Infill
St. Helena Farmhouse Infill
James McCalligan ArchitectJames McCalligan Architect
Cette photo montre une grande façade de maison grise nature à un étage avec un revêtement mixte, un toit à quatre pans et un toit en métal.
Charming Cottage
Charming Cottage
City Homes, LLCCity Homes, LLC
Spacecrafting Photography
Cette image montre une façade de maison blanche traditionnelle de taille moyenne et à un étage avec un revêtement mixte, un toit à deux pans et un toit mixte.
The Mullet House
The Mullet House
Susan Yeley HomesSusan Yeley Homes
This gem of a house was built in the 1950s, when its neighborhood undoubtedly felt remote. The university footprint has expanded in the 70 years since, however, and today this home sits on prime real estate—easy biking and reasonable walking distance to campus. When it went up for sale in 2017, it was largely unaltered. Our clients purchased it to renovate and resell, and while we all knew we'd need to add square footage to make it profitable, we also wanted to respect the neighborhood and the house’s own history. Swedes have a word that means “just the right amount”: lagom. It is a guiding philosophy for us at SYH, and especially applied in this renovation. Part of the soul of this house was about living in just the right amount of space. Super sizing wasn’t a thing in 1950s America. So, the solution emerged: keep the original rectangle, but add an L off the back. With no owner to design with and for, SYH created a layout to appeal to the masses. All public spaces are the back of the home--the new addition that extends into the property’s expansive backyard. A den and four smallish bedrooms are atypically located in the front of the house, in the original 1500 square feet. Lagom is behind that choice: conserve space in the rooms where you spend most of your time with your eyes shut. Put money and square footage toward the spaces in which you mostly have your eyes open. In the studio, we started calling this project the Mullet Ranch—business up front, party in the back. The front has a sleek but quiet effect, mimicking its original low-profile architecture street-side. It’s very Hoosier of us to keep appearances modest, we think. But get around to the back, and surprise! lofted ceilings and walls of windows. Gorgeous.
Modern Oasis
Modern Oasis
B Street DesignB Street Design
Photos: Ed Gohlich
Exemple d'une grande façade de maison moderne à un étage.
Montgomery
Montgomery
Design Theory StudioDesign Theory Studio
Mid-century modern custom beach home
Inspiration pour une grande façade de maison blanche minimaliste à un étage avec un revêtement mixte et un toit mixte.
Beach House at Avoca Beach by Architecture Saville Isaacs
Beach House at Avoca Beach by Architecture Saville Isaacs
Architecture Saville IsaacsArchitecture Saville Isaacs
Exterior - Front Entry Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/
Black on Beal
Black on Beal
Design 5 Landscape ArchitectureDesign 5 Landscape Architecture
Derik Olsen Photography
Aménagement d'une petite façade de maison beige contemporaine en bois à un étage avec un toit à deux pans.
Del Ray Sears Bungalow
Del Ray Sears Bungalow
WINN Design+BuildWINN Design+Build
Stacy Zarin-Goldberg
Cette image montre une façade de maison jaune traditionnelle en panneau de béton fibré de taille moyenne et à un étage avec un toit à deux pans et un toit en shingle.
Naglee - Lot 1
Naglee - Lot 1
Warren Design Inc.Warren Design Inc.
Exemple d'une grande façade de maison blanche nature à un étage avec un revêtement mixte, un toit à quatre pans et un toit en shingle.
Lost Creek
Lost Creek
Villani + GrahamVillani + Graham
Lars Frazer
Idée de décoration pour une grande façade de maison blanche champêtre à un étage avec un revêtement mixte, un toit à deux pans et un toit mixte.
Cabins in Eastern Washington
Cabins in Eastern Washington
Board & VellumBoard & Vellum
Photo by John Granen.
Aménagement d'une façade de maison métallique et grise montagne de plain-pied avec un toit à deux pans et un toit en métal.
Modern Farmhouse
Modern Farmhouse
House SprucingHouse Sprucing
Modern Farmhouse on Acre lot.
Réalisation d'une grande façade de maison blanche champêtre à un étage avec un revêtement mixte, un toit à deux pans et un toit en shingle.
Exquisite Exterior - Jennings Bay on Lake Minnetonka
Exquisite Exterior - Jennings Bay on Lake Minnetonka
Thompson ConstructionThompson Construction
Spacecrafting / Architectural Photography
Exemple d'une grande façade de maison bleue craftsman en bois à un étage avec un toit à deux pans et un toit en shingle.
Spanish Colonial Whole House Renovation
Spanish Colonial Whole House Renovation
Allen ConstructionAllen Construction
The clients wanted to remodel and update this 4,300 sq. ft., three story, three-bedroom, five bath, Spanish Colonial style residence to meet their design aesthetic. Architect: The Warner Group. Photographer: Kelly Teich
The Rain Man
The Rain Man
Rosewood Custom BuildersRosewood Custom Builders
Cette photo montre une façade de maison multicolore tendance de taille moyenne et à un étage avec un toit plat et un revêtement mixte.
Front Exterior
Front Exterior
Coastal Signature HomesCoastal Signature Homes
Siding color: Benjamin Moore (Edgecomb Grey) Shutter color: Benjamin Moore (Briarwood) Trim color: Benjamin Moore (White Dove) Windows: Andersen
Cette photo montre une grande façade de maison beige bord de mer en bois à un étage avec un toit en shingle.
Custom Homes
Custom Homes
Stuart Riley Bespoke BuilderStuart Riley Bespoke Builder
Aménagement d'une grande façade de maison multicolore contemporaine à un étage avec un revêtement mixte, un toit plat et un toit végétal.
Grill Porch & Screened Porch viewed from Deck
Grill Porch & Screened Porch viewed from Deck
Williams Partnership: ArchitectureWilliams Partnership: Architecture
Landscape Design & Parterre Garden by Norman Johnson
Aménagement d'une grande façade de maison verte classique en bois à deux étages et plus.
Olympic Valley, Tahoe
Olympic Valley, Tahoe
ID3 Interior DesignID3 Interior Design
Photo by Sinead Hastings Tahoe Real Estate Photography Architect: Todd Gordon Mather
Idée de décoration pour une façade de maison marron chalet en bois de taille moyenne et à un étage avec un toit en appentis.

Idées déco de façades de maison

6
France
Personnaliser mon expérience à l'aide de cookies

Houzz utilise des cookies et d'autres technologies de suivi similaires pour personnaliser mon expérience utilisateur, me proposer du contenu pertinent et améliorer ses produits et services. En cliquant sur « Accepter », j'accepte l'utilisation des cookies telle qu'elle est décrite plus en détail dans la Politique d'Utilisation des Cookies de Houzz. Je peux rejeter les cookies non essentiels en cliquant sur « Tout rejeter » ou « Gérer mes préférences ».