Idées déco de façades de maisons grises avec différents matériaux de revêtement
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L. Lumpkins Architect, Inc.Named one the 10 most Beautiful Houses in Dallas
Idées déco pour une grande façade de maison grise craftsman en bois à un étage avec un toit de Gambrel et un toit en shingle.
Idées déco pour une grande façade de maison grise craftsman en bois à un étage avec un toit de Gambrel et un toit en shingle.
Munro ContractingThis gorgeous home was built by Villa Nova Houses! No detail has been spared as the design was thought out so well!
James Hardie Board & Batten - Cedar Mill (at 16" centers) on the front and sides in Night gray has massive curb appeal! Along with the beautiful wood detail done at the front entrance By Villa Nova just give this home such character!
The rest of the sides and back of the home are done with James Hardie Lap Siding - 8 1/4" - Cedar mill also in Night Gray! Finished off the look with white aluminum soffit & fascia for a clean and classic look!
Armistead Design & DraftingA Modern take on the Midcentury Split-Level plan. What a beautiful property perfectly suited for this full custom split level home! It was a lot of fun making this one work- very unique for the area.
Aménagement d'une grande façade de maison grise contemporaine à un étage avec un toit en appentis, un revêtement mixte et un toit végétal.
Timberlake Custom HomesGorgeous Craftsman mountain home with medium gray exterior paint, Structures Walnut wood stain on the rustic front door with sidelites. Cultured stone is Bucks County Ledgestone & Flagstone
James McCalligan ArchitectCette photo montre une grande façade de maison grise nature à un étage avec un revêtement mixte, un toit à quatre pans et un toit en métal.
Lampert LumberIdée de décoration pour une façade de maison grise chalet en bois de taille moyenne et de plain-pied avec un toit à deux pans et un toit en shingle.
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
David Small DesignsCette image montre une façade de maison grise traditionnelle en bois à un étage avec un toit à deux pans et un toit en shingle.
Board & VellumPhoto by John Granen.
Aménagement d'une façade de maison métallique et grise montagne de plain-pied avec un toit à deux pans et un toit en métal.
Aménagement d'une façade de maison métallique et grise montagne de plain-pied avec un toit à deux pans et un toit en métal.
Jordan Iverson Signature HomesModern home in the Pacific Northwest, located in Eugene, Oregon. Double car garage with a lot of windows for natural sunlight.
Exemple d'une grande façade de maison grise montagne à un étage avec un revêtement mixte, un toit mixte et un toit en appentis.
Exemple d'une grande façade de maison grise montagne à un étage avec un revêtement mixte, un toit mixte et un toit en appentis.
Prime RealtyCette image montre une grande façade de maison grise vintage à niveaux décalés avec un revêtement mixte, un toit à deux pans et un toit en tuile.
Ben Wise DesignAménagement d'une très grande façade de maison grise craftsman en bois de plain-pied avec un toit à quatre pans et un toit en shingle.
MaterialDenver Modern with natural stone accents.
Cette photo montre une façade de maison grise tendance de taille moyenne et à deux étages et plus avec un toit plat et un revêtement mixte.
Cette photo montre une façade de maison grise tendance de taille moyenne et à deux étages et plus avec un toit plat et un revêtement mixte.
Jackson Design BuildTransitioning this post-war ranch home to a contemporary 2-story with an open floor plan, 3 bedrooms, and a rooftop deck was no small project. Interior and exterior steel stair cases to the rooftop, exposed concrete floors, and exposed structural steel components give this custom remodel project a contemporary and slightly industrial flair.
L. Martinez ConstructionExemple d'une façade de maison grise chic en bois à un étage et de taille moyenne avec un toit à deux pans et un toit en shingle.
BRM Homes LLC.Cette image montre une façade de maison grise traditionnelle en pierre à un étage avec un toit à deux pans et un toit en shingle.
Amanda Martocchio ArchitectureWhen a world class sailing champion approached us to design a Newport home for his family, with lodging for his sailing crew, we set out to create a clean, light-filled modern home that would integrate with the natural surroundings of the waterfront property, and respect the character of the historic district.
Our approach was to make the marine landscape an integral feature throughout the home. One hundred eighty degree views of the ocean from the top floors are the result of the pinwheel massing. The home is designed as an extension of the curvilinear approach to the property through the woods and reflects the gentle undulating waterline of the adjacent saltwater marsh. Floodplain regulations dictated that the primary occupied spaces be located significantly above grade; accordingly, we designed the first and second floors on a stone “plinth” above a walk-out basement with ample storage for sailing equipment. The curved stone base slopes to grade and houses the shallow entry stair, while the same stone clads the interior’s vertical core to the roof, along which the wood, glass and stainless steel stair ascends to the upper level.
One critical programmatic requirement was enough sleeping space for the sailing crew, and informal party spaces for the end of race-day gatherings. The private master suite is situated on one side of the public central volume, giving the homeowners views of approaching visitors. A “bedroom bar,” designed to accommodate a full house of guests, emerges from the other side of the central volume, and serves as a backdrop for the infinity pool and the cove beyond.
Also essential to the design process was ecological sensitivity and stewardship. The wetlands of the adjacent saltwater marsh were designed to be restored; an extensive geo-thermal heating and cooling system was implemented; low carbon footprint materials and permeable surfaces were used where possible. Native and non-invasive plant species were utilized in the landscape. The abundance of windows and glass railings maximize views of the landscape, and, in deference to the adjacent bird sanctuary, bird-friendly glazing was used throughout.
Photo: Michael Moran/OTTO Photography
Structerra, Inc.Tahoe Real Estate Photography
Idée de décoration pour une façade de maison grise tradition de taille moyenne et à un étage avec un revêtement mixte, un toit à deux pans et un toit en métal.
Idée de décoration pour une façade de maison grise tradition de taille moyenne et à un étage avec un revêtement mixte, un toit à deux pans et un toit en métal.
Claude C. Lapp Architects, LLCTruPlace
Inspiration pour une grande façade de maison grise craftsman à un étage avec un revêtement mixte, un toit à deux pans et un toit en shingle.
Inspiration pour une grande façade de maison grise craftsman à un étage avec un revêtement mixte, un toit à deux pans et un toit en shingle.
Idées déco de façades de maisons grises avec différents matériaux de revêtement
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