Idées déco de façades de maisons noires et grises
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David Small DesignsExemple d'une façade de maison grise chic en stuc avec un toit à deux pans et un toit en shingle.
Amy Storm & CompanyCette image montre une grande façade de maison grise traditionnelle en bois à un étage avec un toit mixte.
Arcanum ArchitectureIdée de décoration pour une grande façade de maison grise minimaliste à deux étages et plus avec un revêtement mixte et un toit à deux pans.
Andrew HeiserCette image montre un petite façade d'immeuble marin en stuc avec un toit à deux pans et un toit en shingle.
Timberlake Custom HomesGorgeous Craftsman mountain home with medium gray exterior paint, Structures Walnut wood stain and walnut (faux-wood) Amarr Oak Summit garage doors. Cultured stone skirt is Bucks County Ledgestone.
James McCalligan ArchitectCette photo montre une grande façade de maison grise nature à un étage avec un revêtement mixte, un toit à quatre pans et un toit en métal.
Susan Yeley HomesThis gem of a house was built in the 1950s, when its neighborhood undoubtedly felt remote. The university footprint has expanded in the 70 years since, however, and today this home sits on prime real estate—easy biking and reasonable walking distance to campus.
When it went up for sale in 2017, it was largely unaltered. Our clients purchased it to renovate and resell, and while we all knew we'd need to add square footage to make it profitable, we also wanted to respect the neighborhood and the house’s own history. Swedes have a word that means “just the right amount”: lagom. It is a guiding philosophy for us at SYH, and especially applied in this renovation. Part of the soul of this house was about living in just the right amount of space. Super sizing wasn’t a thing in 1950s America. So, the solution emerged: keep the original rectangle, but add an L off the back.
With no owner to design with and for, SYH created a layout to appeal to the masses. All public spaces are the back of the home--the new addition that extends into the property’s expansive backyard. A den and four smallish bedrooms are atypically located in the front of the house, in the original 1500 square feet. Lagom is behind that choice: conserve space in the rooms where you spend most of your time with your eyes shut. Put money and square footage toward the spaces in which you mostly have your eyes open.
In the studio, we started calling this project the Mullet Ranch—business up front, party in the back. The front has a sleek but quiet effect, mimicking its original low-profile architecture street-side. It’s very Hoosier of us to keep appearances modest, we think. But get around to the back, and surprise! lofted ceilings and walls of windows. Gorgeous.
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
DOWN to Earth ArchitectsPhoto Credit: S A Homeowner
Idées déco pour une grande façade de maison grise contemporaine en béton à un étage avec un toit plat et un toit végétal.
Idées déco pour une grande façade de maison grise contemporaine en béton à un étage avec un toit plat et un toit végétal.
Reid Developments LtdThis backyard shot of the rear of the home shows the beautiful rear lower patio with comfortable seating, outdoor fireplace and ample lighting. The kitchen can be accessed by two different door entries and the upstairs master patio and bedroom overlooks the whole rear yard. Photo: Andrew Fyfe Photography Designed by: Trinca Architecture Inc.
Coastal Signature HomesSiding Color: Sherwin Williams 7015 (Repose Grey)
Windows: Andersen
Trim color: Sherwin Williams 7008 (Alabaster)
Shutter material: James Hardie
Shutter color: Sherwin Williams 6258 (Tricorn Black)
Garage Door: Building Specialties of Carolina
Mahogany Front door
株式会社ハウゼグレーをベースにした外壁に黒いカラークリートの土間が
外観のスタイリッシュな印象を際立たせています。
シンボルツリーの株立ちアオダモが素敵なチョイスです。
Exemple d'une façade de maison grise moderne de taille moyenne et à un étage avec un toit en appentis et un toit en métal.
Exemple d'une façade de maison grise moderne de taille moyenne et à un étage avec un toit en appentis et un toit en métal.
Tielens Construction Inc.Exemple d'une façade de maison noire moderne en bois de taille moyenne et à un étage.
Jeri Koegel PhotographyIdée de décoration pour une façade de maison grise design à un étage avec un toit à deux pans.
Hatch Construction LtdThe client wanted to completely strip the property back to the original structure and reconfigure the layout. This included taking all walls back to brickwork, removal of second floor mansard extension, removal of all internal walls and ceilings.
Interior Architecture and Design of the property featured remains the copyright of Mood London.
The Construction Group Montana, LLCModern, small community living and vacationing in these tiny homes. The beautiful, shou sugi ban exterior fits perfectly in the natural, forest surrounding. Built to last on permanent concrete slabs and engineered for all the extreme weather that northwest Montana can throw at these rugged homes.
Structur Design + InteriorsCette image montre une grande façade de maison grise craftsman à un étage avec un revêtement mixte, un toit à deux pans et un toit en shingle.
Cascade West DevelopmentPaint Colors by Sherwin Williams
Exterior Body Color : Dorian Gray SW 7017
Exterior Accent Color : Gauntlet Gray SW 7019
Exterior Trim Color : Accessible Beige SW 7036
Exterior Timber Stain : Weather Teak 75%
Stone by Eldorado Stone
Exterior Stone : Shadow Rock in Chesapeake
Windows by Milgard Windows & Doors
Product : StyleLine Series Windows
Supplied by Troyco
Garage Doors by Wayne Dalton Garage Door
Lighting by Globe Lighting / Destination Lighting
Exterior Siding by James Hardie
Product : Hardiplank LAP Siding
Exterior Shakes by Nichiha USA
Roofing by Owens Corning
Doors by Western Pacific Building Materials
Deck by Westcoat
MaterialDenver Modern with natural stone accents.
Cette photo montre une façade de maison grise tendance de taille moyenne et à deux étages et plus avec un toit plat et un revêtement mixte.
Cette photo montre une façade de maison grise tendance de taille moyenne et à deux étages et plus avec un toit plat et un revêtement mixte.
Idées déco de façades de maisons noires et grises
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