Idées déco de façades de maisons grises de plain-pied
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Urban d'ECO Development LLCCette image montre une façade de maison grise traditionnelle de taille moyenne et de plain-pied avec un revêtement en vinyle et un toit en shingle.
MARK IV Builders, IncOnce a screened porch, this addition now serves as a family room. The deck was expanded and built using synthetic decking materials and PVC.
Réalisation d'une façade de maison grise tradition en brique de taille moyenne et de plain-pied avec un toit à deux pans et un toit en shingle.
Réalisation d'une façade de maison grise tradition en brique de taille moyenne et de plain-pied avec un toit à deux pans et un toit en shingle.
UserIdée de décoration pour une façade de maison grise design en panneau de béton fibré de taille moyenne et de plain-pied avec un toit plat et un toit mixte.
AAHA StudioFront Facade
Idée de décoration pour une petite façade de maison grise minimaliste en stuc de plain-pied avec un toit à deux pans et un toit en shingle.
Idée de décoration pour une petite façade de maison grise minimaliste en stuc de plain-pied avec un toit à deux pans et un toit en shingle.
Paragon Custom BuildersThe pocketing steel lift and slide door opens up the Great Room to the Entry Courtyard for an expanded entertainment space.
Réalisation d'une façade de maison grise champêtre en bois de taille moyenne et de plain-pied avec un toit à deux pans et un toit en métal.
Réalisation d'une façade de maison grise champêtre en bois de taille moyenne et de plain-pied avec un toit à deux pans et un toit en métal.
Allen Schrock & Sons, Inc.Custom Cedar Gable with Vaulted Porch Ceiling and Craftsman Columns. Wood Appearing Stamped Concrete
Cette image montre une façade de maison grise craftsman de plain-pied avec un revêtement mixte.
Cette image montre une façade de maison grise craftsman de plain-pied avec un revêtement mixte.
Keith M. Webster Construction, Inc.Réalisation d'une façade de maison grise tradition de taille moyenne et de plain-pied avec un revêtement en vinyle, un toit à deux pans et un toit en shingle.
Omega BuildersAménagement d'une grande façade de maison grise méditerranéenne en stuc de plain-pied avec un toit à quatre pans.
Erica Keast Heroy, ArchitectCasey Woods
Inspiration pour une façade de maison grise rustique de taille moyenne et de plain-pied avec un revêtement en vinyle et un toit à deux pans.
Inspiration pour une façade de maison grise rustique de taille moyenne et de plain-pied avec un revêtement en vinyle et un toit à deux pans.
Prodigy Homes Inc.Cette photo montre une grande façade de maison grise chic en stuc de plain-pied avec un toit à quatre pans et un toit en shingle.
ANACAPAAll Autocamp Russian River photos are taken by Melanie Riccardi.
Cette image montre une grande façade de maison grise minimaliste en béton de plain-pied avec un toit plat.
Cette image montre une grande façade de maison grise minimaliste en béton de plain-pied avec un toit plat.
Hearthstone IncRichard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession.
Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm.
They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm.
“They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone.
Design Process
There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms.
Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively.
The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers.
Exterior
The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements.
Interior
The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers.
“Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.”
The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”
Shane RenovationsCette photo montre une façade de maison grise chic de taille moyenne et de plain-pied avec un revêtement en vinyle et un toit en shingle.
Living Stone Design + BuildSide entry parking area with wrap around porch. Grill area off the kitchen.
Aménagement d'une petite façade de maison grise contemporaine de plain-pied avec un revêtement mixte et un toit plat.
Aménagement d'une petite façade de maison grise contemporaine de plain-pied avec un revêtement mixte et un toit plat.
PB BuiltContemporary Style
Architectural Photography - Ron Rosenzweig
Cette photo montre une grande façade de maison grise tendance en stuc de plain-pied avec un toit à quatre pans.
Cette photo montre une grande façade de maison grise tendance en stuc de plain-pied avec un toit à quatre pans.
R Faucett ConstructionJeff Tryon
Cette image montre une grande façade de maison grise design en bois de plain-pied avec un toit plat et un toit en shingle.
Cette image montre une grande façade de maison grise design en bois de plain-pied avec un toit plat et un toit en shingle.
Penny Lane Home Builders, LLCMade with reclaimed wood and hardware
Photography by Lynn Donaldson
Inspiration pour une grande façade de maison grise urbaine de plain-pied avec un revêtement mixte.
Inspiration pour une grande façade de maison grise urbaine de plain-pied avec un revêtement mixte.
SHED Architecture & DesignMark Woods
Réalisation d'une façade de maison grise vintage de taille moyenne et de plain-pied.
Réalisation d'une façade de maison grise vintage de taille moyenne et de plain-pied.
Gordon Tobey DevelopmentsAménagement d'une façade de maison grise classique en pierre de taille moyenne et de plain-pied avec un toit à quatre pans.
Drewett WorksBelieve it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection.
The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls.
The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers.
The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match!
Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ
Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ
Builder: Shannon Construction | Phoenix, AZ
Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL
Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ
Photography: Dino Tonn | Scottsdale, AZ
Awards: 2014 Gold Nugget Award of Merit
Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”
Idées déco de façades de maisons grises de plain-pied
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