Idées déco de façades de maisons scandinaves avec différents matériaux de revêtement
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Refined SpaceWe took a tired 1960s house and transformed it into modern family home. We extended to the back to add a new open plan kitchen & dining area with 3m high sliding doors and to the front to gain a master bedroom, en suite and playroom. We completely overhauled the power and lighting, increased the water flow and added underfloor heating throughout the entire house.
The elegant simplicity of nordic design informed our use of a stripped back internal palette of white, wood and grey to create a continuous harmony throughout the house. We installed oak parquet floors, bespoke douglas fir cabinetry and southern yellow pine surrounds to the high performance windows.
Ebbighausen Homes IncCette image montre une façade de maison nordique en pierre à un étage avec un toit mixte.
株式会社REGARD（リガード）シャープな印象を与える特徴的な片流れ屋根のフォルム。通りに面する窓の数は減らしたり、小さくしたりすることで、プライバシーに配慮しています。
Inspiration pour une façade de maison blanche nordique de taille moyenne et à un étage avec un revêtement mixte, un toit en appentis et un toit en métal.
Inspiration pour une façade de maison blanche nordique de taille moyenne et à un étage avec un revêtement mixte, un toit en appentis et un toit en métal.
HOME CRAFT M 株式会社 宮本組お気に入りの雑貨に囲まれた
大好きなカフェのようなおうちを
イメージしてつくりました。
床材に無垢のパイン材を使ったインテリアは
木のぬくもりと優しさあふれるお部屋に。
月日が経つにつれて風合いが増し
愛着が湧いてきそう♪
家具や照明もフェミニンでキュートな
アイテムをチョイス☆彡
毎日の暮らしを楽しくしてくれます♪
外観は北欧住宅風の切妻屋根。
外壁を貼り分けることで落ち着いた印象に。
新しい暮らしのスタートが楽しくなる、そんなおうちです。
moithuisRéalisation d'une façade de maison blanche nordique à un étage avec un revêtement mixte et un toit en appentis.
Aménagement d'une petite façade de maison grise scandinave en bois de plain-pied avec un toit à deux pans et un toit en métal.
ブルーハウスAménagement d'une façade de maison blanche scandinave en stuc de taille moyenne et à un étage avec un toit à deux pans et un toit en tuile.
UEDUC ArchitectureCette image montre une grande façade de maison marron nordique à un étage avec un revêtement mixte, un toit à deux pans et un toit en tuile.
Ahouse StudioAménagement d'une petite façade de maison blanche scandinave en panneau de béton fibré et planches et couvre-joints à un étage avec un toit à deux pans, un toit en shingle et un toit noir.
Osada ConstructionIdée de décoration pour une grande façade de maison noire nordique en planches et couvre-joints à un étage avec un revêtement mixte et un toit en métal.
Robert Thomas HomesPrimrose Model - Garden Villa Collection
Pricing, floorplans, virtual tours, community information and more at https://www.robertthomashomes.com/
Fastighetsmäklare Malena EkErik Olsson Fastighetsförmedling
Réalisation d'une grande façade de maison beige nordique en bois à un étage avec un toit à deux pans.
Réalisation d'une grande façade de maison beige nordique en bois à un étage avec un toit à deux pans.
Libby Raab ArchitectureSingle Story ranch house with stucco and wood siding painted black.
Cette image montre une façade de maison noire nordique en stuc et bardage à clin de taille moyenne et de plain-pied avec un toit à deux pans, un toit en shingle et un toit noir.
Cette image montre une façade de maison noire nordique en stuc et bardage à clin de taille moyenne et de plain-pied avec un toit à deux pans, un toit en shingle et un toit noir.
グリットアーキテクト「家の顔」といえる玄関までのアプローチ。四季折々の表情を見せてくれるので、毎日家に帰るのがもっと楽しみになります。
Idée de décoration pour une façade de maison blanche nordique de taille moyenne et à un étage avec un revêtement mixte, un toit à deux pans, un toit en métal et un toit gris.
Idée de décoration pour une façade de maison blanche nordique de taille moyenne et à un étage avec un revêtement mixte, un toit à deux pans, un toit en métal et un toit gris.
Arquitectura VelizInspiration pour une façade de maison blanche nordique de taille moyenne et à un étage avec un revêtement mixte et un toit à croupette.
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
SGD A Architecture + DesignC'est le retour en force de la maison blanche. La résidence Gilbert Poulin a tout de celle-ci: des lignes minimaliste, un décor très épuré et bien sûr l’omniprésence du blanc rappelle le style scandinave.
Idées déco de façades de maisons scandinaves avec différents matériaux de revêtement
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