Idées déco de façades de maisons métalliques scandinaves
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プラス プロスペクトコッテージ 一級建築士事務所道に面して木製ルーバーで構成したバルコニーを設けた。このバルコニーが外と室内とをゆるやかにつなぐ。
バルコーニーは二階と三階に設置。二階室内への東南からの採光を妨げないように、三階のバルコニーを斜めに切り取った。これがバルコニーの形に豊かな表情とユーモラスな印象を与える。
Exemple d'une petite façade de maison métallique et grise scandinave à deux étages et plus avec un toit en appentis et un toit en métal.
Exemple d'une petite façade de maison métallique et grise scandinave à deux étages et plus avec un toit en appentis et un toit en métal.
國本建築堂 株式会社Exemple d'une façade de maison métallique et grise scandinave de taille moyenne et de plain-pied avec un toit à deux pans, un toit en métal et un toit noir.
有限会社ミサオケンチクラボお子さん独立後のご夫婦の住まいです。
南北に縦長の敷地なので通常なら南に庭を取って南を主採光面にするところですが、この家は東を主採光面にしています。
縦長の敷地をさらに縦に分割して東面を主採光面とすることで、採光面積を大きくとることができ、結果、屋内と屋外が一体になった空間が実現できます。
この家のもう一つのコンセプトは、とにかく面倒な家事を楽にすることです。
浴室-洗面-パントリー-キッチン-洗濯室-物干しといった、主要な家事動線を一直線に「まっすぐ」並べて、移動距離を短くしています。
外観は、黒いBOXの一隅をBOX型でくり抜いたような構成としています。
外観は素っ気ないけれども中身はあたたかいよ、みたいなイメージです。
内部空間のリビングダイニングは、白い壁紙をベースに、アイボリー色のタイルやバーチ材など、シンプルで飽きのこない素材を組み合わせて、明るくやわらかい雰囲気の空間を目指しています。
前述のように、リビングダイニングは東面を主採光面としています。それに加えて、東側にデッキテラスを設けているので、リビングダイニングとテラスとが一体になった、広く開放的な空間になっています。
Blake Civiello ArchitectureA front view of the reception porch and entry showing the horizontal natural of the structure. In plan, the building is U shaped, overing an interior courtyard and privacy from the grassland. Photos by Norden Camp www.NordenTravel.com
Citizen DesignEntry walkway
Inspiration pour une façade de maison métallique et noire nordique de taille moyenne et à un étage avec un toit à deux pans, un toit en métal et un toit noir.
Inspiration pour une façade de maison métallique et noire nordique de taille moyenne et à un étage avec un toit à deux pans, un toit en métal et un toit noir.
DEMO ArchitectsIdées déco pour une façade de maison métallique et noire scandinave de plain-pied avec un toit en métal et un toit noir.
Waymark ArchitectureA simple iconic design that both meets Passive House requirements and provides a visually striking home for a young family. This house is an example of design and sustainability on a smaller scale.
The connection with the outdoor space is central to the design and integrated into the substantial wraparound structure that extends from the front to the back. The extensions provide shelter and invites flow into the backyard.
Emphasis is on the family spaces within the home. The combined kitchen, living and dining area is a welcoming space featuring cathedral ceilings and an abundance of light.
猫と建築社南面ファサード
中庭には飼い猫も出るため外部に出ないよう木製のルーバーフェンスを設けている。
横桟を中庭側に付けると猫が足掛かりにしてフェンスを上ってしまう恐れがあるため、横桟はあえて外側に付けている。
フェンス右横の地窓は通称「猫廊下」に設けられたもので、猫はここから外を眺める。その猫の姿を外から見る人もまた笑顔に。
間下建築設計室木造の書斎
Exemple d'une façade de maison métallique et grise scandinave de plain-pied avec un toit à deux pans.
Exemple d'une façade de maison métallique et grise scandinave de plain-pied avec un toit à deux pans.
de.archElsternwick House…the design concept of the first floor being like a tree house perched above the existing home for our clients two young boys was the inspiration for this alterations and additions project. The first floor addition playfully peeks over the original art deco home when viewed from the street and is nestled into the tree canopy at the rear. The new first floor exterior cladding was selected in manor red colorbond standing seam sitting in contrast to the crisp white render and windows – reminiscent of traditional ‘falu red’ cottages & barns from Sweden and Norway.
User広い敷地のスケールに呼応する大きな開口部を設け、のびのびとした佇まいとしている。
©︎橘川雅史建築設計事務所
Exemple d'une façade de maison métallique et noire scandinave de plain-pied et de taille moyenne avec un toit à deux pans et un toit en métal.
Exemple d'une façade de maison métallique et noire scandinave de plain-pied et de taille moyenne avec un toit à deux pans et un toit en métal.
VESP ArchitectsLocated in a wooded area of coastline above South Sands in Salcombe, the design for this replacement dwelling looked to create a modern home that sits comfortably within its setting but also maximises connection and views out to the surrounding landscape and coast. A simple palette of natural materials reflects the wooded surroundings. The house is predominantly clad in timber, used in panels of either thick planks or narrow battens to give variety. White render and stone make up the rest of the palette, though key areas are finished in a bright rust-red Corten steel, adding colour and character to the neutral tones of wood and stone.
Nestled into the steeply sloping site and overlooking the Salcombe estuary, a key design driver for the house was maximising the view and connection with the garden, and large areas of glazing were provided no the south elevation. This glazing can be opened up to allow the outside spaces to become part of the living experience.
The house is entered at first floor, with living and kitchen areas at this level, and a large balcony directly off these spaces was therefore critical to provide outside dining and living space. Below this the bedrooms are sheltered by the overhang – giving protection and privacy. The swimming pool is located directly outside of the two bedrooms, and reflects morning sunlight onto the ceilings of the bedrooms.
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
株式会社kotori建物は南東に向けたL字の構成で、幾何学を思わせるシンプルな片流れ屋根で仕上げました。南に向けた面を、道路から距離をとることで視線を気にすることなく大きく開くことができました。外装は黒色のガルバリウム鋼板の小波板を採用しています。横向きに貼ることで、横方向のラインを強調し、どっしりと重心の低い外観に仕上げています。
株式会社 高野工務店ガルバリウム鋼板とレッドシダー張りの外観。
植栽の緑を引き立てるシンプルで飽きのこないデザインです。
南側の掃き出し窓と吹抜けの窓には夏場の日射対策に『外付けブラインド』を設置
Idées déco pour une façade de maison métallique et blanche scandinave en planches et couvre-joints de taille moyenne et à un étage avec un toit en appentis, un toit en métal et un toit blanc.
Idées déco pour une façade de maison métallique et blanche scandinave en planches et couvre-joints de taille moyenne et à un étage avec un toit en appentis, un toit en métal et un toit blanc.
UserRéalisation d'une façade de maison métallique et noire nordique de taille moyenne et de plain-pied.
KASA ARCHITECTSCette photo montre une façade de maison métallique et blanche scandinave de plain-pied avec un toit en appentis et un toit en métal.
Waymark ArchitectureA simple iconic design that both meets Passive House requirements and provides a visually striking home for a young family. This house is an example of design and sustainability on a smaller scale.
The connection with the outdoor space is central to the design and integrated into the substantial wraparound structure that extends from the front to the back. The extensions provide shelter and invites flow into the backyard.
Emphasis is on the family spaces within the home. The combined kitchen, living and dining area is a welcoming space featuring cathedral ceilings and an abundance of light.
Craftsmen Quality BuildersIdées déco pour une façade de maison métallique et grise scandinave de plain-pied.
NORD DOMOSЗаказчики этого проекта — молодая семья с европейскими взглядами на жизнь. Они мечтали о загородном доме для отдыха вдвоём, с семьёй и с друзьями. Дом хотели современный, небольшой и обязательно деревянный.
Проект Rote House выглядит необычно и смело, он идеально вписывается в ландшафт, становясь его неотъемлемой частью.
Нестандартную форму дома нам подсказал вытянутый участок. Здание имеет два корпуса, объединенных деревянной террасой. В основном корпусе расположились две спальни, кухня-гостиная с уникальным камином Focus. В гостевом корпусе — две спальни, каждая — с видом на море.
Для того, чтобы из всех комнат и с террасы открывались полноценные панорамные виды, мы приняли решение поднять весь дом на высоту 1.5 метра от земли. В фундаменте использованы бетонные сваи длиной 3 метра и консольная плита перекрытия. Благодаря этому фасады получили уникальный цоколь с обратным уклоном.
Панорамный обзор обеспечивают витрины высотой 3 метра и общей площадью 90 квадратных метров.
Террасу мы выложили из очень мягкой лиственницы. Материал по текстуре напоминает вельвет, поэтому каждый шаг приносит тактильное удовольствие.
Из дерева также выполнены входные зоны, подшивка навеса и внутренние стены. Это решение работает на контрасте с внешним образом дома: издалека он кажется неприступным и холодным за счет фасадов, облицованных металлом, в то время как внутри всего хочется коснуться, благодаря мягкости и теплоте дерева. Строгий снаружи, дом приятно обнимает внутри.
Idées déco de façades de maisons métalliques scandinaves
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