Idées déco de façades de maisons métalliques scandinaves
Trier par :
Budget
Trier par:Populaires du jour
141 - 160 sur 223 photos
1 sur 3
株式会社小木野貴光アトリエ一級建築士事務所サンルームのあるテラスハウス
Idées déco pour une façade de maison métallique et grise scandinave de taille moyenne et à deux étages et plus avec un toit plat et un toit en shingle.
Idées déco pour une façade de maison métallique et grise scandinave de taille moyenne et à deux étages et plus avec un toit plat et un toit en shingle.
プラス プロスペクトコッテージ 一級建築士事務所玄関。縁側のような台の手前で靴をぬぐ。近所の子供たちが大勢集まっても十分な広さを確保。
Idées déco pour une petite façade de maison métallique et grise scandinave à deux étages et plus avec un toit en appentis et un toit en métal.
Idées déco pour une petite façade de maison métallique et grise scandinave à deux étages et plus avec un toit en appentis et un toit en métal.
UserIdée de décoration pour une façade de maison métallique et noire nordique de taille moyenne et de plain-pied.
有限会社ラグデザイン三角屋根（切妻）とシルバーの外壁材（金属）にミッドナイトブルーの庇が特徴。屋根もミッドナイトブルー。
ウッドフェンスでプライベート空間を確保しています。
Aménagement d'une façade de maison métallique et grise scandinave en planches et couvre-joints à un étage avec un toit à deux pans, un toit en métal et un toit bleu.
Aménagement d'une façade de maison métallique et grise scandinave en planches et couvre-joints à un étage avec un toit à deux pans, un toit en métal et un toit bleu.
永井政光建築設計事務所Cette photo montre une façade de maison métallique et verte scandinave de taille moyenne et à un étage avec un toit en appentis, un toit en métal et un toit noir.
KASA ARCHITECTSIdées déco pour une façade de maison métallique et blanche scandinave de plain-pied avec un toit en appentis et un toit en métal.
Зеленый каркасInspiration pour une grande façade de maison métallique et blanche nordique de plain-pied avec un toit à deux pans, un toit en métal et un toit blanc.
de.archElsternwick House…the design concept of the first floor being like a tree house perched above the existing home for our clients two young boys was the inspiration for this alterations and additions project. The first floor addition playfully peeks over the original art deco home when viewed from the street and is nestled into the tree canopy at the rear. The new first floor exterior cladding was selected in manor red colorbond standing seam sitting in contrast to the crisp white render and windows – reminiscent of traditional ‘falu red’ cottages & barns from Sweden and Norway.
matt&ash design Inc.Idées déco pour une façade de maison métallique scandinave en bardage à clin à un étage.
ETERNITY株式会社Cette photo montre une façade de maison métallique et grise scandinave en planches et couvre-joints de taille moyenne et à un étage avec un toit à deux pans, un toit en métal et un toit gris.
NORD DOMOSЗаказчики этого проекта — молодая семья с европейскими взглядами на жизнь. Они мечтали о загородном доме для отдыха вдвоём, с семьёй и с друзьями. Дом хотели современный, небольшой и обязательно деревянный.
Проект Rote House выглядит необычно и смело, он идеально вписывается в ландшафт, становясь его неотъемлемой частью.
Нестандартную форму дома нам подсказал вытянутый участок. Здание имеет два корпуса, объединенных деревянной террасой. В основном корпусе расположились две спальни, кухня-гостиная с уникальным камином Focus. В гостевом корпусе — две спальни, каждая — с видом на море.
Для того, чтобы из всех комнат и с террасы открывались полноценные панорамные виды, мы приняли решение поднять весь дом на высоту 1.5 метра от земли. В фундаменте использованы бетонные сваи длиной 3 метра и консольная плита перекрытия. Благодаря этому фасады получили уникальный цоколь с обратным уклоном.
Панорамный обзор обеспечивают витрины высотой 3 метра и общей площадью 90 квадратных метров.
Террасу мы выложили из очень мягкой лиственницы. Материал по текстуре напоминает вельвет, поэтому каждый шаг приносит тактильное удовольствие.
Из дерева также выполнены входные зоны, подшивка навеса и внутренние стены. Это решение работает на контрасте с внешним образом дома: издалека он кажется неприступным и холодным за счет фасадов, облицованных металлом, в то время как внутри всего хочется коснуться, благодаря мягкости и теплоте дерева. Строгий снаружи, дом приятно обнимает внутри.
株式会社kotoriライティングによって、木部が一層映える夜の外観。玄関ポーチ部分の外壁はレッドシダーの鎧張りとしたことで影が落ち昼にくらべ立体感を増しています。２階の軒下天井部分は杉の羽目板張りとしたことで、バルコニー部分の奥行き感が強調できました。色温度を低めに設定した照明器具を採用したことで、シャープな形状ながら、ぬくもりのある外観となっています。
Mアトリエ／岡村未来子photo：shinichi watanabe
Inspiration pour une façade de maison métallique et grise nordique à deux étages et plus avec un toit à deux pans et un toit en métal.
Inspiration pour une façade de maison métallique et grise nordique à deux étages et plus avec un toit à deux pans et un toit en métal.
Creative Union Network Inc.Located in the West area of Toronto, this back/third floor addition brings light and air to this traditional Victorian row house.
Idées déco pour une petite façade de maison de ville métallique scandinave à deux étages et plus avec un toit plat.
Idées déco pour une petite façade de maison de ville métallique scandinave à deux étages et plus avec un toit plat.
森吉直剛アトリエ/MORIYOSHI NAOTAKE ATELIER ARCHITECTSPhoto Copyright Satoshi Shigeta
Idées déco pour une façade de maison métallique et noire scandinave de taille moyenne et à deux étages et plus avec un toit en appentis et un toit en métal.
Idées déco pour une façade de maison métallique et noire scandinave de taille moyenne et à deux étages et plus avec un toit en appentis et un toit en métal.
Daniel Clarke ArchitectBefore the natural patina begins to form, the lustre of the copper siding in this house mirrors the sunshine. After time passes, a greenish patina will develop in the same way a jacket of moss coats the trees nearby each winter.
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
株式会社 高野工務店ZEH、長期優良住宅、耐震等級3+制震構造、BELS取得
Ua値=0.40W/㎡K
C値=0.30cm2/㎡
Exemple d'une façade de maison métallique et blanche scandinave en planches et couvre-joints de taille moyenne et à un étage avec un toit à deux pans, un toit en métal et un toit gris.
Exemple d'une façade de maison métallique et blanche scandinave en planches et couvre-joints de taille moyenne et à un étage avec un toit à deux pans, un toit en métal et un toit gris.
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
Idées déco de façades de maisons métalliques scandinaves
8