Idées déco de façades de maisons métalliques scandinaves
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森吉直剛アトリエ/MORIYOSHI NAOTAKE ATELIER ARCHITECTSPhoto Copyright Satoshi Shigeta
Aménagement d'une façade de maison métallique et noire scandinave de taille moyenne et à deux étages et plus avec un toit en appentis et un toit en métal.
Aménagement d'une façade de maison métallique et noire scandinave de taille moyenne et à deux étages et plus avec un toit en appentis et un toit en métal.
ALTS DESIGN OFFICE (アルツ デザイン オフィス)Exemple d'une petite façade de maison métallique et blanche scandinave de plain-pied avec un toit à deux pans et un toit en métal.
Dennis Hellyar ArchitectsCette image montre une façade de maison métallique et blanche nordique de taille moyenne et à un étage avec un toit à deux pans.
KASA ARCHITECTSIdée de décoration pour une façade de maison métallique et blanche nordique de plain-pied et de taille moyenne avec un toit en appentis et un toit en métal.
3*D空間創考舎一級建築士事務所玄関アプローチ
前庭のマウンドに面した大開口を通して奥庭のプライベートプールをのぞむ
Réalisation d'une façade de maison métallique et verte nordique de plain-pied avec un toit à quatre pans et un toit en métal.
Réalisation d'une façade de maison métallique et verte nordique de plain-pied avec un toit à quatre pans et un toit en métal.
UserRéalisation d'une façade de maison métallique et noire nordique de taille moyenne et de plain-pied.
NovaForma Architecture & Interior DesignThis house was designed with the scandinavian design in mind. The house structure is steelframe, with metal roof cladding covering even the walls. The house walls have thermal insulation and big span windows.
Polite Design Office/ポライトデザインオフィス解体建設業を営む企業のオフィスです。
photos by Katsumi Simada
Réalisation d'une petite façade de maison métallique et blanche nordique de plain-pied avec un toit en appentis et un toit en métal.
Réalisation d'une petite façade de maison métallique et blanche nordique de plain-pied avec un toit en appentis et un toit en métal.
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
設計事務所アーキプレイスphoto by 大沢誠一
Réalisation d'un façade d'immeuble métallique nordique avec un toit à deux pans et un toit en métal.
Réalisation d'un façade d'immeuble métallique nordique avec un toit à deux pans et un toit en métal.
matt&ash design Inc.Idées déco pour une façade de maison métallique scandinave en bardeaux de plain-pied.
Citizen DesignVertical Shou Sugi Ban siding with black corrugated siding and roof.
Cette image montre une façade de maison métallique et noire nordique de taille moyenne et à un étage avec un toit à deux pans, un toit en métal et un toit noir.
Cette image montre une façade de maison métallique et noire nordique de taille moyenne et à un étage avec un toit à deux pans, un toit en métal et un toit noir.
株式会社kotori大きな敷地の中にどっしりと佇むシンプルな二階建ての住宅。外装は主にグレーのガルバリウムを使用し、下屋や戸袋には木製のパネリングをポイントで使用することでシャープさの中にも優しさのある外観に仕上がりました。南側のウッドデッキは、２段のステージ状とすることで、ウッドデッキ上での物干しなどの作業がしやすく、かつ庭への段差を小さくすることができました。北側前面道路に面した玄関は、木製の引戸を取り付け、戸の周りを白い塗り壁で仕上げることで木部が際立っています。
Buttondesign (ボタンデザイン)モルタルに塗装の外壁と板金の外壁の組み合わせ
Photo by Satoshi Asakawa
Inspiration pour une petite façade de maison métallique et blanche nordique à un étage avec un toit à deux pans et un toit en métal.
Inspiration pour une petite façade de maison métallique et blanche nordique à un étage avec un toit à deux pans et un toit en métal.
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
株式会社kotori鋭い角度の切妻屋根が印象的な外観。全面道路に向けた大きな開口は、内部でスキップフロアとすることで道路からの視線の高さをずらしています。外装はシャープな陰影が美しい小波板のガルバリウム鋼板。アプローチ奥の玄関上には、大きなバルコニーを設けました。軒ゼロとした屋根に強さを持たせるため、凹凸を付けたディテールで端部を納めています。
Lewis / Schoeplein architectsCette image montre une petite façade de maison métallique et marron nordique à un étage avec un toit en appentis.
そりっど設計室（SOLiD DESIGN ROOM) 一級建築士事務所Aménagement d'une façade de maison métallique et grise scandinave à un étage avec un toit à deux pans et un toit en métal.
設計事務所アーキプレイスphoto by 大沢誠一
Cette image montre un façade d'immeuble métallique nordique avec un toit à deux pans et un toit en métal.
Cette image montre un façade d'immeuble métallique nordique avec un toit à deux pans et un toit en métal.
CMB ConstructionAménagement d'une façade de maison métallique et noire scandinave en planches et couvre-joints de taille moyenne et à un étage avec un toit à deux pans, un toit en métal et un toit noir.
Idées déco de façades de maisons métalliques scandinaves
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