Idées déco de petits garages et abris de jardin asiatiques
Trier par :
Budget
Trier par:Populaires du jour
41 - 55 sur 55 photos
1 sur 3
Andrew A. Willett, Architect, PAShoji type doors on exterior hung track sets. The clipped oculus window turned out rather amazing.
Photos by Jay Weiland
Idée de décoration pour un petit abri de jardin asiatique.
Idée de décoration pour un petit abri de jardin asiatique.
Altura ArchitectsOur client has a large collection of bonsai trees and wanted an exhibition space for the extensive collection and a workshop to tend to the growing plants. Together we came up with a plan for a beautiful garden with plenty of space and a water feature. The design also included a Japanese-influenced pavilion in the middle of the garden. The pavilion is comprised of three separate rooms. The first room is features a tokonoma, a small recessed space to display art. The second, and largest room, provides an open area for display. The room can be accessed by large glass folding doors and has plenty of natural light filtering through the skylights above. The third room is a workspace with tool storage.
Photography by Todd Crawford
Kane Hulse StudioDesigned to embrace the shadow, the 18 sqm garden studio is hidden amongst the large conservation trees, the overgrown garden and the three two metre high brick walls which run alongside neighbouring houses. The client required a private office space, a haven away from the business of the city and separate from the main Edwardian house.
The proposal adapts to its surroundings and has minimal impact through the use of natural materials, the sedum roof and the plan, which wraps around the large existing False Acacia tree. The space internally is practical and flexible, including an open plan room with large windows overlooking the gardens, a small kitchen with storage and a separate shower room.
Covering merely 12.8% of the entire garden surface, the proposal is a tribute to timber construction: Tar coated external marine plywood, timber frame structure and exposed oiled birch interior clad walls. Two opposite skins cover the frame, distinguishing the shell of the black coated exterior within the shadow and the warmness of the interior birch. The cladding opens and closes depending on use, revealing and concealing the life within.
Andrew A. Willett, Architect, PAPhotos by Jay Weiland
Cette photo montre un petit abri de jardin asiatique.
Cette photo montre un petit abri de jardin asiatique.
YOSHINORI SAKANO ARCHITECTS Co,.Ltd.Réalisation d'un petit garage pour une voiture attenant asiatique avec une porte cochère.
Drixler Japanische Häuserjapanisches Gartenhaus mit Yakumi Shoji. in der Mitte kleine Fensterchen zu hochschieben. Es entsteht ein gerahmtes Bild des Gartens
Idées déco pour un petit abri de jardin séparé asiatique.
Idées déco pour un petit abri de jardin séparé asiatique.
Kane Hulse StudioDesigned to embrace the shadow, the 18 sqm garden studio is hidden amongst the large conservation trees, the overgrown garden and the three two metre high brick walls which run alongside neighbouring houses. The client required a private office space, a haven away from the business of the city and separate from the main Edwardian house.
The proposal adapts to its surroundings and has minimal impact through the use of natural materials, the sedum roof and the plan, which wraps around the large existing False Acacia tree. The space internally is practical and flexible, including an open plan room with large windows overlooking the gardens, a small kitchen with storage and a separate shower room.
Covering merely 12.8% of the entire garden surface, the proposal is a tribute to timber construction: Tar coated external marine plywood, timber frame structure and exposed oiled birch interior clad walls. Two opposite skins cover the frame, distinguishing the shell of the black coated exterior within the shadow and the warmness of the interior birch. The cladding opens and closes depending on use, revealing and concealing the life within.
Kane Hulse StudioDesigned to embrace the shadow, the 18 sqm garden studio is hidden amongst the large conservation trees, the overgrown garden and the three two metre high brick walls which run alongside neighbouring houses. The client required a private office space, a haven away from the business of the city and separate from the main Edwardian house.
The proposal adapts to its surroundings and has minimal impact through the use of natural materials, the sedum roof and the plan, which wraps around the large existing False Acacia tree. The space internally is practical and flexible, including an open plan room with large windows overlooking the gardens, a small kitchen with storage and a separate shower room.
Covering merely 12.8% of the entire garden surface, the proposal is a tribute to timber construction: Tar coated external marine plywood, timber frame structure and exposed oiled birch interior clad walls. Two opposite skins cover the frame, distinguishing the shell of the black coated exterior within the shadow and the warmness of the interior birch. The cladding opens and closes depending on use, revealing and concealing the life within.
Kane Hulse StudioDesigned to embrace the shadow, the 18 sqm garden studio is hidden amongst the large conservation trees, the overgrown garden and the three two metre high brick walls which run alongside neighbouring houses. The client required a private office space, a haven away from the business of the city and separate from the main Edwardian house.
The proposal adapts to its surroundings and has minimal impact through the use of natural materials, the sedum roof and the plan, which wraps around the large existing False Acacia tree. The space internally is practical and flexible, including an open plan room with large windows overlooking the gardens, a small kitchen with storage and a separate shower room.
Covering merely 12.8% of the entire garden surface, the proposal is a tribute to timber construction: Tar coated external marine plywood, timber frame structure and exposed oiled birch interior clad walls. Two opposite skins cover the frame, distinguishing the shell of the black coated exterior within the shadow and the warmness of the interior birch. The cladding opens and closes depending on use, revealing and concealing the life within.
Kane Hulse StudioDesigned to embrace the shadow, the 18 sqm garden studio is hidden amongst the large conservation trees, the overgrown garden and the three two metre high brick walls which run alongside neighbouring houses. The client required a private office space, a haven away from the business of the city and separate from the main Edwardian house.
The proposal adapts to its surroundings and has minimal impact through the use of natural materials, the sedum roof and the plan, which wraps around the large existing False Acacia tree. The space internally is practical and flexible, including an open plan room with large windows overlooking the gardens, a small kitchen with storage and a separate shower room.
Covering merely 12.8% of the entire garden surface, the proposal is a tribute to timber construction: Tar coated external marine plywood, timber frame structure and exposed oiled birch interior clad walls. Two opposite skins cover the frame, distinguishing the shell of the black coated exterior within the shadow and the warmness of the interior birch. The cladding opens and closes depending on use, revealing and concealing the life within.
Kane Hulse StudioDesigned to embrace the shadow, the 18 sqm garden studio is hidden amongst the large conservation trees, the overgrown garden and the three two metre high brick walls which run alongside neighbouring houses. The client required a private office space, a haven away from the business of the city and separate from the main Edwardian house.
The proposal adapts to its surroundings and has minimal impact through the use of natural materials, the sedum roof and the plan, which wraps around the large existing False Acacia tree. The space internally is practical and flexible, including an open plan room with large windows overlooking the gardens, a small kitchen with storage and a separate shower room.
Covering merely 12.8% of the entire garden surface, the proposal is a tribute to timber construction: Tar coated external marine plywood, timber frame structure and exposed oiled birch interior clad walls. Two opposite skins cover the frame, distinguishing the shell of the black coated exterior within the shadow and the warmness of the interior birch. The cladding opens and closes depending on use, revealing and concealing the life within.
Kane Hulse StudioDesigned to embrace the shadow, the 18 sqm garden studio is hidden amongst the large conservation trees, the overgrown garden and the three two metre high brick walls which run alongside neighbouring houses. The client required a private office space, a haven away from the business of the city and separate from the main Edwardian house.
The proposal adapts to its surroundings and has minimal impact through the use of natural materials, the sedum roof and the plan, which wraps around the large existing False Acacia tree. The space internally is practical and flexible, including an open plan room with large windows overlooking the gardens, a small kitchen with storage and a separate shower room.
Covering merely 12.8% of the entire garden surface, the proposal is a tribute to timber construction: Tar coated external marine plywood, timber frame structure and exposed oiled birch interior clad walls. Two opposite skins cover the frame, distinguishing the shell of the black coated exterior within the shadow and the warmness of the interior birch. The cladding opens and closes depending on use, revealing and concealing the life within.
Kane Hulse StudioDesigned to embrace the shadow, the 18 sqm garden studio is hidden amongst the large conservation trees, the overgrown garden and the three two metre high brick walls which run alongside neighbouring houses. The client required a private office space, a haven away from the business of the city and separate from the main Edwardian house.
The proposal adapts to its surroundings and has minimal impact through the use of natural materials, the sedum roof and the plan, which wraps around the large existing False Acacia tree. The space internally is practical and flexible, including an open plan room with large windows overlooking the gardens, a small kitchen with storage and a separate shower room.
Covering merely 12.8% of the entire garden surface, the proposal is a tribute to timber construction: Tar coated external marine plywood, timber frame structure and exposed oiled birch interior clad walls. Two opposite skins cover the frame, distinguishing the shell of the black coated exterior within the shadow and the warmness of the interior birch. The cladding opens and closes depending on use, revealing and concealing the life within.
Idées déco de petits garages et abris de jardin asiatiques
3