Idées déco de façades de maisons de plain-pied
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Baker + Hesseldenz Design, Inc.Cette image montre une grande façade de maison blanche minimaliste en stuc de plain-pied avec un toit plat.
Weatherwell Elite - Aluminum ShuttersThis family enjoyed a full extension of the living space by enclosing their patio with Weatherwell aluminum shutters and creating the ultimate outdoor kitchen. The lockable shutters where installed as bifolds so the family can close them to secure their furniture, give them privacy, or weather the elements, or they can open the entirely to enjoy the outside.
TELFORD+BROWN STUDIO ARCHITECTUREThis small house was designed as a retreat for an artist and photographer couple. To blend into the beautiful rugged setting the materials were selected to be basic and durable. Thick walls are finished with white interior plaster and black exterior stucco. Natural wood is layered at the ceilings and extend southward to shade the large windows. The floors are of radiantly heated concrete. Supplemental heat is provided by a Danish wood stove. The roof extends east covering a flagstone terrace for exterior gatherings and dining.
Bruce Forster Photography
Tektoniks ArchitectsTektoniks Architects: Architects of Record / Kitchen Design
Shadley Associates: Prime Consultant and Project Designer
Photo Credits: JP Shadley - Shadley Associates
Schwartz and ArchitectureMatthew Millman
Idées déco pour une petite façade de maison métallique et grise contemporaine de plain-pied avec un toit plat.
Idées déco pour une petite façade de maison métallique et grise contemporaine de plain-pied avec un toit plat.
Geoff BrownWhangapoua Beach House on the Coromandel Peninsula
Cette photo montre une façade de maison moderne de plain-pied avec un toit plat.
Cette photo montre une façade de maison moderne de plain-pied avec un toit plat.
CLB ArchitectsThe Peaks View residence is sited near Wilson, Wyoming, in a grassy meadow, adjacent to the Teton mountain range. The design solution for the project had to satisfy two conflicting goals: the finished project must fit seamlessly into a neighborhood with distinctly conservative design guidelines while satisfying the owners desire to create a unique home with roots in the modern idiom.
Within these constraints, the architect created an assemblage of building volumes to break down the scale of the 6,500 square foot program. A pair of two-story gabled structures present a traditional face to the neighborhood, while the single-story living pavilion, with its expansive shed roof, tilts up to recognize views and capture daylight for the primary living spaces. This trio of buildings wrap around a south-facing courtyard, a warm refuge for outdoor living during the short summer season in Wyoming. Broad overhangs, articulated in wood, taper to thin steel “brim” that protects the buildings from harsh western weather. The roof of the living pavilion extends to create a covered outdoor extension for the main living space. The cast-in-place concrete chimney and site walls anchor the composition of forms to the flat site. The exterior is clad primarily in cedar siding; two types were used to create pattern, texture and depth in the elevations.
While the building forms and exterior materials conform to the design guidelines and fit within the context of the neighborhood, the interiors depart to explore a well-lit, refined and warm character. Wood, plaster and a reductive approach to detailing and materials complete the interior expression. Display for a Kimono was deliberately incorporated into the entry sequence. Its influence on the interior can be seen in the delicate stair screen and the language for the millwork which is conceived as simple wood containers within spaces. Ample glazing provides excellent daylight and a connection to the site.
Photos: Matthew Millman
kimberly peck architectThe goal of this project was to build a house that would be energy efficient using materials that were both economical and environmentally conscious. Due to the extremely cold winter weather conditions in the Catskills, insulating the house was a primary concern. The main structure of the house is a timber frame from an nineteenth century barn that has been restored and raised on this new site. The entirety of this frame has then been wrapped in SIPs (structural insulated panels), both walls and the roof. The house is slab on grade, insulated from below. The concrete slab was poured with a radiant heating system inside and the top of the slab was polished and left exposed as the flooring surface. Fiberglass windows with an extremely high R-value were chosen for their green properties. Care was also taken during construction to make all of the joints between the SIPs panels and around window and door openings as airtight as possible. The fact that the house is so airtight along with the high overall insulatory value achieved from the insulated slab, SIPs panels, and windows make the house very energy efficient. The house utilizes an air exchanger, a device that brings fresh air in from outside without loosing heat and circulates the air within the house to move warmer air down from the second floor. Other green materials in the home include reclaimed barn wood used for the floor and ceiling of the second floor, reclaimed wood stairs and bathroom vanity, and an on-demand hot water/boiler system. The exterior of the house is clad in black corrugated aluminum with an aluminum standing seam roof. Because of the extremely cold winter temperatures windows are used discerningly, the three largest windows are on the first floor providing the main living areas with a majestic view of the Catskill mountains.
building Lab, inc.Located adjacent to Linden Park at 999 43rd street in Oakland, the property can be described as transitional on many levels. In the urban sense, the neighborhood remains somewhat edgy but is slowly absorbing some of the calming effects of gentrification. Although momentum has stalled somewhat since the economic downturn, recent re-occupation of two nearby warehouses, one as housing and one as a charter school, has contributed significantly to establishing a more hospitable and engaging character to the neighborhood. Living here remains a dynamic balance between embracing the community and maintaining privacy.
Since this was intended as a live/work compound, the building needed to accommodate an office, a residence, as well as retain its workshop. It was a tight fit even for a bachelor—the living and dining room doubled as a meeting space and lounge for bL’s crew. Growth in the business and a diminishing enchantment with the 24hr comingling of my personal and professional lives compelled phase one of expansion. This took the form of a retired freezer shipping container which we transformed into an office located in the back lot. My personal office remained in the main building while other work stations migrated out back. A year later, marriage and imminent parenthood prompted a second, contiguous shipping container conversion. Practically speaking, this allowed adequate and varied space to compactly accommodate both family and business. Architecturally, the second container allowed the formation of layered inner courtyard that provides privacy without hermetically sealing us off from our neighbors.
The container conversions are a significant part of extensive green building credentials. These include myriad reclaimed, non-toxic and sustainably sourced materials and a solar thermal system servicing both domestic hot water and hydronic heating. In 2008, Build It Green featured the property on a green home tour. Aside from the container additions, we have stayed within the bounds of the existing building envelope. The process has been and continues to be one of discovery and dialogue; the proverbial Khanian brick in the form of a north Oakland warehouse.
Lloyd ArchitectsPhoto by Scot Zimmerman
Cette image montre une façade de maison blanche traditionnelle en brique de taille moyenne et de plain-pied avec un toit à deux pans.
Cette image montre une façade de maison blanche traditionnelle en brique de taille moyenne et de plain-pied avec un toit à deux pans.
Conservatory CraftsmenTimber Gable Conservatory
Idées déco pour une façade de maison grise classique en bois de taille moyenne et de plain-pied avec un toit à deux pans.
Idées déco pour une façade de maison grise classique en bois de taille moyenne et de plain-pied avec un toit à deux pans.
Noel Cross+ArchitectsFirmness . . .
Santa Cruz’s historically eclectic Pleasure Point neighborhood has been evolving in its own quirky way for almost a century, and many of its inhabitants seem to have been around just as long. They cling to the relaxed and funky seaside character of their beach community with an almost indignant provinciality. For both client and architect, neighborhood context became the singular focus of the design; to become the “poster child” for compatibility and sustainability. Dozens of photos were taken of the surrounding area as inspiration, with the goal of honoring the idiosyncratic, fine-grained character and informal scale of a neighborhood built over time.
A low, horizontal weathered ipe fence at the street keeps out surfer vans and neighborhood dogs, and a simple gate beckons visitors to stroll down the boardwalk which gently angles toward the front door. A rusted steel fire pit is the focus of this ground level courtyard, which is encircled by a curving cor-ten garden wall graced by a sweep of horse tail reeds and tufts of feather grass.
Extensive day-lighting throughout the home is achieved with high windows placed in all directions in all major rooms, resulting in an abundance of natural light throughout. The clients report having only to turning on lights at nightfall. Notable are the numerous passive solar design elements: careful attention to overhangs and shading devices at South- and West-facing glass to control heat gain, and passive ventilation via high windows in the tower elements, all are significant contributors to the structure’s energy efficiency.
Commodity . . .
Beautiful views of Monterey Bay and the lively local beach scene became the main drivers in plan and section. The upper floor was intentionally set back to preserve ocean views of the neighbor to the north. The surf obsessed clients wished to be able to see the “break” from their upper floor breakfast table perch, able to take a moment’s notice advantage of some killer waves. A tiny 4,500 s.f. lot and a desire to create a ground level courtyard for entertaining dictated the small footprint. A graceful curving cor-ten and stainless steel stair descends from the upper floor living areas, connecting them to a ground level “sanctuary”.
A small detached art studio/surfboard storage shack in the back yard fulfills functional requirements, and includes an outdoor shower for the post-surf hose down. Parking access off a back alley helps to preserve ground floor space, and allows in the southern sun on the view/courtyard side. A relaxed “bare foot beach house” feel is underscored by weathered oak floors, painted re-sawn wall finishes, and painted wood ceilings, which recall the cozy cabins that stood here at Breakers Beach for nearly a century.
Delight . . .
Commemorating the history of the property was a priority for the surfing couple. With that in mind, they created an artistic reproduction of the original sign that decorated the property for many decades as an homage to the “Cozy Cabins at Breakers Beach”, which now graces the foyer.
This casual assemblage of local vernacular architecture has been informed by the consistent scale and simple materials of nearby cottages, shacks, and bungalows. These influences were distilled down to a palette of board and batt, clapboard, and cedar shiplap, and synthesized with bolder forms that evoke images of nearby Capitola Wharf, beach lifeguard towers, and the client’s “surf shack” program requirements. The landscape design takes its cues from boardwalks, rusted steel fire rings, and native grasses, all of which firmly tie the building to its local beach community. The locals have embraced it as one of their own.
Architect - Noel Cross Architect
Landscape Architect - Christopher Yates
Interior Designer - Gina Viscusi-Elson
Lighting Designer - Vita Pehar Design
Contractor - The Conrado Company
bspk design inc.Cette photo montre une grande façade de maison grise tendance en stuc de plain-pied.
Todd Peddicord DesignsCette image montre une grande façade de maison blanche traditionnelle en stuc de plain-pied avec un toit à deux pans et un toit en tuile.
Ventana Construction LLCa Craftsman exterior with modern materials -- Hardiplank and Hardishingles with corner metal to produce a beveled look.
Exemple d'une façade de maison craftsman en bois de plain-pied.
Exemple d'une façade de maison craftsman en bois de plain-pied.
Idées déco de façades de maisons de plain-pied
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