Idées déco de façades de maisons modernes
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Vetter ArchitectsA tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space.
Crispin Sartwell
Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home.
As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction.
The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside.
The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting.
Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for.
Overview
Oconomowoc, WI
Completion Date
August 2015
Services
Architecture, Interior Design, Landscape Architecture
Vetter ArchitectsA tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space.
Crispin Sartwell
Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home.
As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction.
The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside.
The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting.
Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for.
Overview
Oconomowoc, WI
Completion Date
August 2015
Services
Architecture, Interior Design, Landscape Architecture
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EL & EL Wood Products Corp.If you're looking to enhance your modern home, look no further than a modern front door, just like this Belleville Oak Textured 3 Square Lite Door with Pearl Glass. It enhances your outside space and draws attention and natural light into your space.
(©bmak/AdobeStock)
3rd Street Custom HomesInspiration pour une grande façade de maison marron minimaliste en stuc à un étage avec un toit à deux pans et un toit en métal.
Tokarski Millemann Architects, LLCFront Elevation featuring Nichia Panels and white stucco.
Réalisation d'une petite façade de maison minimaliste.
Réalisation d'une petite façade de maison minimaliste.
Arcanum ArchitectureIdée de décoration pour une grande façade de maison grise minimaliste à deux étages et plus avec un revêtement mixte et un toit à deux pans.
Sustainable Nine Design + BuildBeautiful modern exterior with a large driveway winding down and large front-facing windows.
Réalisation d'une façade de maison blanche minimaliste avec un toit plat.
Réalisation d'une façade de maison blanche minimaliste avec un toit plat.
Candace Nordquist InteriorsExterior view of this modern custom home.
Inspiration pour une grande façade de maison blanche minimaliste en bois à un étage avec un toit plat et un toit en métal.
Inspiration pour une grande façade de maison blanche minimaliste en bois à un étage avec un toit plat et un toit en métal.
Tate Studio ArchitectsExterior auto court and entry stairs. Builder - Build Inc, Interior Design - Tate Studio Architects, Landscape - Desert Foothills Landscape, Photography - Thompson Photographic.
Shoberg Custom HomesIdée de décoration pour une grande façade de maison beige minimaliste en pierre à niveaux décalés avec un toit en appentis et un toit en métal.
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Element Property GroupLandscaping
Idées déco pour une façade de maison blanche moderne en brique de taille moyenne et à deux étages et plus avec un toit à deux pans et un toit en métal.
Idées déco pour une façade de maison blanche moderne en brique de taille moyenne et à deux étages et plus avec un toit à deux pans et un toit en métal.
Reid Developments LtdThis backyard shot of the rear of the home shows the beautiful rear lower patio with comfortable seating, outdoor fireplace and ample lighting. The kitchen can be accessed by two different door entries and the upstairs master patio and bedroom overlooks the whole rear yard. Photo: Andrew Fyfe Photography Designed by: Trinca Architecture Inc.
株式会社ハウゼグレーをベースにした外壁に黒いカラークリートの土間が
外観のスタイリッシュな印象を際立たせています。
シンボルツリーの株立ちアオダモが素敵なチョイスです。
Exemple d'une façade de maison grise moderne de taille moyenne et à un étage avec un toit en appentis et un toit en métal.
Exemple d'une façade de maison grise moderne de taille moyenne et à un étage avec un toit en appentis et un toit en métal.
MaterialExemple d'une façade de maison de ville beige moderne en pierre de taille moyenne et à un étage avec un toit en appentis et un toit en métal.
Réalisation d'une façade de maison multicolore minimaliste à un étage avec un revêtement mixte et un toit plat.
Tielens Construction Inc.Exemple d'une façade de maison noire moderne en bois de taille moyenne et à un étage.
Idées déco de façades de maisons modernes
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